The GRAMMYs

2026

Songwriter Of The Year (Non-Classical)

Songwriter Of The Year (Non-Classical)

Dec 1st, 2025

Songwriter Of The Year (Non-Classical)

Songwriter Of The Year (Non-Classical)

Songwriter Of The Year (Non-Classical)

Nominees for The GRAMMY Awards

2026

Previous Winner

Amy Allen

Criteria

Songwriter’s award recognizing excellence across eligible non-classical works.

Songwriter’s award recognizing excellence across eligible non-classical works.

Songwriter’s award recognizing excellence across eligible non-classical works.

The nominees for The GRAMMYs Songwriter Of The Year (Non-Classical) 2026 are Amy Allen (Amy Allen), Edgar Barrera (Edgar Barrera), Jessie Jo Dillon (Jessie Jo Dillon), Tobias Jesso Jr. (Tobias Jesso Jr.), Laura Veltz (Laura Veltz).

Read on for more information about all the nominees and their contributors.

Songwriter Of The Year (Non-Classical)

Amy Allen

Related Info

APT. (ROSÉ & Bruno Mars) (S), Bad As The Rest (Jessie Murph) (S), Hail Mary (Shaboozey, Sierra Ferrell) (T), Handlebars (JENNIE Featuring Dua Lipa) (S), Just Keep Watching (Tate McRae) (S), Lost In Translation (Carín León & Kasey Musgraves) (S), Manchild (Sabrina Carpenter) (S), Tears (Sabrina Carpenter) (S), WHY (Jon Bellion Featuring Luke Combs) (S)

Amy Allen stands out as one of pop music’s most influential behind-the-scenes forces, shaping chart-topping hits for a new generation of artists. Her in-demand songwriting has powered major releases across genres, most notably through her extensive work with Sabrina Carpenter on the acclaimed album Man’s Best Friend.

Commercial success

  • Man’s Best Friend debuted at No. 1 on the Billboard 200, spending four weeks atop the chart.

  • Allen reached No. 1 on Billboard’s Hot 100 Songwriters chart in 2024, with 13 credits on the Hot 100.

  • Tate McRae's “Just Keep Watching” peaked at No. 8 on the Billboard Global 200 and topped the US Hot Dance/Pop Songs chart.

Cultural impact

  • Allen previously won the GRAMMY for Songwriter of the Year (Non-Classical) for her work on songs like "Espresso" and "Please, Please, Please."

  • Allen’s songs for Sabrina Carpenter, including "Manchild" and "Tears," helped define 2025 pop music.

  • She co-wrote K-pop hits for JENNIE (“Handlebars” feat. Dua Lipa) and ROSÉ (“APT.” with Bruno Mars).

  • Her collaborations with Shaboozey, Sierra Ferrell, Jon Bellion, Tate McRae, Olivia Rodrigo & Justin Timberlake showcased her versatility across pop, K-pop, and country.

Critical response

  • Rolling Stone praised Allen’s “fearlessness of modulating keys” and “witty, heartfelt lyric content,” calling her work with Sabrina Carpenter “pretty unique for this moment in time with how musical it is.” Read full review

  • Billboard highlighted Allen’s “idiosyncratic pop hits that people — many millions of them — can’t stop listening to,” emphasizing her ability to craft songs “tailored specifically to the artist.” Read full review

Amy Allen

Related Info

APT. (ROSÉ & Bruno Mars) (S), Bad As The Rest (Jessie Murph) (S), Hail Mary (Shaboozey, Sierra Ferrell) (T), Handlebars (JENNIE Featuring Dua Lipa) (S), Just Keep Watching (Tate McRae) (S), Lost In Translation (Carín León & Kasey Musgraves) (S), Manchild (Sabrina Carpenter) (S), Tears (Sabrina Carpenter) (S), WHY (Jon Bellion Featuring Luke Combs) (S)

Amy Allen stands out as one of pop music’s most influential behind-the-scenes forces, shaping chart-topping hits for a new generation of artists. Her in-demand songwriting has powered major releases across genres, most notably through her extensive work with Sabrina Carpenter on the acclaimed album Man’s Best Friend.

Commercial success

  • Man’s Best Friend debuted at No. 1 on the Billboard 200, spending four weeks atop the chart.

  • Allen reached No. 1 on Billboard’s Hot 100 Songwriters chart in 2024, with 13 credits on the Hot 100.

  • Tate McRae's “Just Keep Watching” peaked at No. 8 on the Billboard Global 200 and topped the US Hot Dance/Pop Songs chart.

Cultural impact

  • Allen previously won the GRAMMY for Songwriter of the Year (Non-Classical) for her work on songs like "Espresso" and "Please, Please, Please."

  • Allen’s songs for Sabrina Carpenter, including "Manchild" and "Tears," helped define 2025 pop music.

  • She co-wrote K-pop hits for JENNIE (“Handlebars” feat. Dua Lipa) and ROSÉ (“APT.” with Bruno Mars).

  • Her collaborations with Shaboozey, Sierra Ferrell, Jon Bellion, Tate McRae, Olivia Rodrigo & Justin Timberlake showcased her versatility across pop, K-pop, and country.

Critical response

  • Rolling Stone praised Allen’s “fearlessness of modulating keys” and “witty, heartfelt lyric content,” calling her work with Sabrina Carpenter “pretty unique for this moment in time with how musical it is.” Read full review

  • Billboard highlighted Allen’s “idiosyncratic pop hits that people — many millions of them — can’t stop listening to,” emphasizing her ability to craft songs “tailored specifically to the artist.” Read full review

Amy Allen

Related Info

APT. (ROSÉ & Bruno Mars) (S), Bad As The Rest (Jessie Murph) (S), Hail Mary (Shaboozey, Sierra Ferrell) (T), Handlebars (JENNIE Featuring Dua Lipa) (S), Just Keep Watching (Tate McRae) (S), Lost In Translation (Carín León & Kasey Musgraves) (S), Manchild (Sabrina Carpenter) (S), Tears (Sabrina Carpenter) (S), WHY (Jon Bellion Featuring Luke Combs) (S)

Amy Allen stands out as one of pop music’s most influential behind-the-scenes forces, shaping chart-topping hits for a new generation of artists. Her in-demand songwriting has powered major releases across genres, most notably through her extensive work with Sabrina Carpenter on the acclaimed album Man’s Best Friend.

Commercial success

  • Man’s Best Friend debuted at No. 1 on the Billboard 200, spending four weeks atop the chart.

  • Allen reached No. 1 on Billboard’s Hot 100 Songwriters chart in 2024, with 13 credits on the Hot 100.

  • Tate McRae's “Just Keep Watching” peaked at No. 8 on the Billboard Global 200 and topped the US Hot Dance/Pop Songs chart.

Cultural impact

  • Allen previously won the GRAMMY for Songwriter of the Year (Non-Classical) for her work on songs like "Espresso" and "Please, Please, Please."

  • Allen’s songs for Sabrina Carpenter, including "Manchild" and "Tears," helped define 2025 pop music.

  • She co-wrote K-pop hits for JENNIE (“Handlebars” feat. Dua Lipa) and ROSÉ (“APT.” with Bruno Mars).

  • Her collaborations with Shaboozey, Sierra Ferrell, Jon Bellion, Tate McRae, Olivia Rodrigo & Justin Timberlake showcased her versatility across pop, K-pop, and country.

Critical response

  • Rolling Stone praised Allen’s “fearlessness of modulating keys” and “witty, heartfelt lyric content,” calling her work with Sabrina Carpenter “pretty unique for this moment in time with how musical it is.” Read full review

  • Billboard highlighted Allen’s “idiosyncratic pop hits that people — many millions of them — can’t stop listening to,” emphasizing her ability to craft songs “tailored specifically to the artist.” Read full review

Edgar Barrera

Related Info

Birthday Behavior (BIA, Young Miko) (S), Coleccionando Heridas (KAROL G, Marco Antonio Solís) (T), Ese Vato No Te Queda (Carín León, Gabito Ballesteros) (S), Me Jalo (Fuerza Regida, Grupo Frontera) (T), Me Retiro (Santana, Grupo Frontera) (S), Milagros (KAROL G) (S), Sigueme Besando Asi (Manuel Turizo) (T), Soltera (Shakira) (S), Una Noche Contigo (Juanes) (S)

Edgar Barrera had a highly successful year, culminating in three major awards at the 2025 Latin GRAMMYs, including Song Of The Year for KAROL G's 'Si Antes Te Hubiera Conocido.'

Commercial success

  • Ended 2024 with 23 song credits as a songwriter and 19 as a producer on the Billboard Hot 100, working with artists such as Maluma, Shakira, Karol G, Peso Pluma, Grupo Frontera, and Carín León.

  • Won the Latin GRAMMY for Songwriter of the Year, and stands out as the only Latino and only producer to achieve a consecutive nomination for two straight years for Songwriter of the Year (Non-Classical).

Cultural impact

  • He played a key role in the success of major crossover hits, including "un x100to" with Grupo Frontera and Bad Bunny, and "Según Quién" with Maluma and Carín León, expanding the reach of Latin music internationally.

  • Barrera’s mentorship and partnership with emerging acts like Grupo Frontera through his BorderKid Records imprint have fostered new talent and innovation within the Latin music industry.

Critical response

  • Billboard highlighted Barrera as "a key player designing the sound of modern-day Latin music," noting his versatility and impact across genres. Read full review

  • Variety praised Barrera’s ability to take artists out of their comfort zones and experiment with new sounds, calling him "the go-to songwriter for top-charting acts looking to expand their musical range." Read full review

  • NPR Music recognized Barrera as the leading nominee at the 2024 Latin Grammy Awards, emphasizing his "towering achievements" and influence as a songwriter and producer. Read full review

Edgar Barrera

Related Info

Birthday Behavior (BIA, Young Miko) (S), Coleccionando Heridas (KAROL G, Marco Antonio Solís) (T), Ese Vato No Te Queda (Carín León, Gabito Ballesteros) (S), Me Jalo (Fuerza Regida, Grupo Frontera) (T), Me Retiro (Santana, Grupo Frontera) (S), Milagros (KAROL G) (S), Sigueme Besando Asi (Manuel Turizo) (T), Soltera (Shakira) (S), Una Noche Contigo (Juanes) (S)

Edgar Barrera had a highly successful year, culminating in three major awards at the 2025 Latin GRAMMYs, including Song Of The Year for KAROL G's 'Si Antes Te Hubiera Conocido.'

Commercial success

  • Ended 2024 with 23 song credits as a songwriter and 19 as a producer on the Billboard Hot 100, working with artists such as Maluma, Shakira, Karol G, Peso Pluma, Grupo Frontera, and Carín León.

  • Won the Latin GRAMMY for Songwriter of the Year, and stands out as the only Latino and only producer to achieve a consecutive nomination for two straight years for Songwriter of the Year (Non-Classical).

Cultural impact

  • He played a key role in the success of major crossover hits, including "un x100to" with Grupo Frontera and Bad Bunny, and "Según Quién" with Maluma and Carín León, expanding the reach of Latin music internationally.

  • Barrera’s mentorship and partnership with emerging acts like Grupo Frontera through his BorderKid Records imprint have fostered new talent and innovation within the Latin music industry.

Critical response

  • Billboard highlighted Barrera as "a key player designing the sound of modern-day Latin music," noting his versatility and impact across genres. Read full review

  • Variety praised Barrera’s ability to take artists out of their comfort zones and experiment with new sounds, calling him "the go-to songwriter for top-charting acts looking to expand their musical range." Read full review

  • NPR Music recognized Barrera as the leading nominee at the 2024 Latin Grammy Awards, emphasizing his "towering achievements" and influence as a songwriter and producer. Read full review

Edgar Barrera

Related Info

Birthday Behavior (BIA, Young Miko) (S), Coleccionando Heridas (KAROL G, Marco Antonio Solís) (T), Ese Vato No Te Queda (Carín León, Gabito Ballesteros) (S), Me Jalo (Fuerza Regida, Grupo Frontera) (T), Me Retiro (Santana, Grupo Frontera) (S), Milagros (KAROL G) (S), Sigueme Besando Asi (Manuel Turizo) (T), Soltera (Shakira) (S), Una Noche Contigo (Juanes) (S)

Edgar Barrera had a highly successful year, culminating in three major awards at the 2025 Latin GRAMMYs, including Song Of The Year for KAROL G's 'Si Antes Te Hubiera Conocido.'

Commercial success

  • Ended 2024 with 23 song credits as a songwriter and 19 as a producer on the Billboard Hot 100, working with artists such as Maluma, Shakira, Karol G, Peso Pluma, Grupo Frontera, and Carín León.

  • Won the Latin GRAMMY for Songwriter of the Year, and stands out as the only Latino and only producer to achieve a consecutive nomination for two straight years for Songwriter of the Year (Non-Classical).

Cultural impact

  • He played a key role in the success of major crossover hits, including "un x100to" with Grupo Frontera and Bad Bunny, and "Según Quién" with Maluma and Carín León, expanding the reach of Latin music internationally.

  • Barrera’s mentorship and partnership with emerging acts like Grupo Frontera through his BorderKid Records imprint have fostered new talent and innovation within the Latin music industry.

Critical response

  • Billboard highlighted Barrera as "a key player designing the sound of modern-day Latin music," noting his versatility and impact across genres. Read full review

  • Variety praised Barrera’s ability to take artists out of their comfort zones and experiment with new sounds, calling him "the go-to songwriter for top-charting acts looking to expand their musical range." Read full review

  • NPR Music recognized Barrera as the leading nominee at the 2024 Latin Grammy Awards, emphasizing his "towering achievements" and influence as a songwriter and producer. Read full review

Jessie Jo Dillon

Related Info

Bless Your Heart (Megan Moroney) (T), Bottomland (HARDY) (S), Dreams Don’t Die (Jelly Roll) (S), First Rodeo (Kelsea Ballerini) (T), Happen To Me (Russell Dickerson) (S), Hello S—ty Day (Jake Worthington, Miranda Lambert)(S), If You Were Mine (Morgan Wallen) (T), Patterns (Kelsea Ballerini) (T), To The Men That Love Women After Heartbreak (Kelsea Ballerini) (T)

Jessie Jo Dillon's recent recognition includes her second consecutive win for ACM Songwriter of the Year, making her the first to achieve this feat since 2021. She has made significant contributions to major country acts' projects the past few years, making her an in-demand songwriter for Nashville and beyond.

Commercial success

  • Jessie Jo Dillon contributed writing credits to Megan Moroney’s Am I Okay? (I’ll Be Fine) and Jelly Roll’s Beautifully Broken, both nominated for Album of the Year at the 2025 ACM Awards.

  • Her writing credits also include Post Malone’s F-1 Trillion, which received an Album of the Year nomination at the 2025 ACM Awards.

Cultural impact

  • She co-wrote Brandy Clark's song 'Buried', which was nominated for Best Country Song at the 2024 GRAMMY Awards, highlighting her influence on acclaimed projects.

  • Dillon earned a highly coveted NSAI '10 Songs I Wish I'd Written' Award for co-penning Morgan Wallen's "Lies Lies Lies," reflecting peer recognition within the songwriting community.

Critical response

  • Billboard highlighted Dillon's impact on the country songwriting landscape, noting her "ability to co-write billion-streaming hits like '10,000 Hours' and emotionally resonant tracks for artists such as Jelly Roll and Megan Moroney." Read full review

  • The Tennessean praised Dillon as a "star in her own right," emphasizing her "art of using words to uncomplicate human emotion" and her role in "helping to create a diverse country marketplace where humanity's complexities are honestly and uniquely captured." Read full review

Jessie Jo Dillon

Related Info

Bless Your Heart (Megan Moroney) (T), Bottomland (HARDY) (S), Dreams Don’t Die (Jelly Roll) (S), First Rodeo (Kelsea Ballerini) (T), Happen To Me (Russell Dickerson) (S), Hello S—ty Day (Jake Worthington, Miranda Lambert)(S), If You Were Mine (Morgan Wallen) (T), Patterns (Kelsea Ballerini) (T), To The Men That Love Women After Heartbreak (Kelsea Ballerini) (T)

Jessie Jo Dillon's recent recognition includes her second consecutive win for ACM Songwriter of the Year, making her the first to achieve this feat since 2021. She has made significant contributions to major country acts' projects the past few years, making her an in-demand songwriter for Nashville and beyond.

Commercial success

  • Jessie Jo Dillon contributed writing credits to Megan Moroney’s Am I Okay? (I’ll Be Fine) and Jelly Roll’s Beautifully Broken, both nominated for Album of the Year at the 2025 ACM Awards.

  • Her writing credits also include Post Malone’s F-1 Trillion, which received an Album of the Year nomination at the 2025 ACM Awards.

Cultural impact

  • She co-wrote Brandy Clark's song 'Buried', which was nominated for Best Country Song at the 2024 GRAMMY Awards, highlighting her influence on acclaimed projects.

  • Dillon earned a highly coveted NSAI '10 Songs I Wish I'd Written' Award for co-penning Morgan Wallen's "Lies Lies Lies," reflecting peer recognition within the songwriting community.

Critical response

  • Billboard highlighted Dillon's impact on the country songwriting landscape, noting her "ability to co-write billion-streaming hits like '10,000 Hours' and emotionally resonant tracks for artists such as Jelly Roll and Megan Moroney." Read full review

  • The Tennessean praised Dillon as a "star in her own right," emphasizing her "art of using words to uncomplicate human emotion" and her role in "helping to create a diverse country marketplace where humanity's complexities are honestly and uniquely captured." Read full review

Jessie Jo Dillon

Related Info

Bless Your Heart (Megan Moroney) (T), Bottomland (HARDY) (S), Dreams Don’t Die (Jelly Roll) (S), First Rodeo (Kelsea Ballerini) (T), Happen To Me (Russell Dickerson) (S), Hello S—ty Day (Jake Worthington, Miranda Lambert)(S), If You Were Mine (Morgan Wallen) (T), Patterns (Kelsea Ballerini) (T), To The Men That Love Women After Heartbreak (Kelsea Ballerini) (T)

Jessie Jo Dillon's recent recognition includes her second consecutive win for ACM Songwriter of the Year, making her the first to achieve this feat since 2021. She has made significant contributions to major country acts' projects the past few years, making her an in-demand songwriter for Nashville and beyond.

Commercial success

  • Jessie Jo Dillon contributed writing credits to Megan Moroney’s Am I Okay? (I’ll Be Fine) and Jelly Roll’s Beautifully Broken, both nominated for Album of the Year at the 2025 ACM Awards.

  • Her writing credits also include Post Malone’s F-1 Trillion, which received an Album of the Year nomination at the 2025 ACM Awards.

Cultural impact

  • She co-wrote Brandy Clark's song 'Buried', which was nominated for Best Country Song at the 2024 GRAMMY Awards, highlighting her influence on acclaimed projects.

  • Dillon earned a highly coveted NSAI '10 Songs I Wish I'd Written' Award for co-penning Morgan Wallen's "Lies Lies Lies," reflecting peer recognition within the songwriting community.

Critical response

  • Billboard highlighted Dillon's impact on the country songwriting landscape, noting her "ability to co-write billion-streaming hits like '10,000 Hours' and emotionally resonant tracks for artists such as Jelly Roll and Megan Moroney." Read full review

  • The Tennessean praised Dillon as a "star in her own right," emphasizing her "art of using words to uncomplicate human emotion" and her role in "helping to create a diverse country marketplace where humanity's complexities are honestly and uniquely captured." Read full review

Laura Veltz

Related Info

About You (BigXthaPlug Featuring Tucker Wetmore) (T), Blue Strips (Jessie Murph) (S), Grand Bouquet (Maren Morris) (T), Leave Me Too (Josh Ross) (S), Parallel Universe (Lauren Spencer Smith) (T), Someone In This Room (Jessie Murph Featuring Bailey Zimmerman) (T), Touch Me Like A Gangster (Jessie Murph) (S), What Tomorrow's For (Blessing Offor) (T), You'll Be OK, Kid - From The Original Documentary “Child Star” (Demi Lovato) (S)

Laura Veltz, a four-time GRAMMY-nominated songwriter, made history as the first woman writer to top Billboard's Country Songwriter chart & has penned numerous hits for artists including Maren Morris, Dan + Shay, and Lady A.

Commercial success

  • Laura Veltz reached No. 1 on Billboard's Country Songwriters chart, leading the tally for the first time on the strength of three writing credits on the Hot Country Songs survey, including "The Bones" by Maren Morris, "What If I Never Get Over You" by Lady A, and "To a T" by Ryan Hurd.

  • Seven of her songs have reached the top 10 on Billboard's Hot Country Songs chart, with "Speechless" by Dan + Shay reaching No. 1.

  • "The Bones," co-written by Veltz, achieved multi-platinum status and was a major crossover hit, topping country radio and charting on the Billboard Hot 100.

Cultural impact

  • Laura Veltz was among the inaugural nominees for the GRAMMY Award for Songwriter of the Year (Non-Classical), highlighting her influence in the industry.

  • She has been recognized for helping to elevate the presence of female songwriters in country music, leading the charge in the writing room during a time of underrepresentation.

  • Veltz's work has contributed to the success of major country artists, shaping the sound of contemporary country and pop-country crossover hits.

Critical response

  • Billboard noted that Veltz is "leading the charge in the writing room, in what appears to be a dire time for female songwriters in country music," and praised her for penning multiple chart-topping hits for Maren Morris and Dan + Shay. Read full review

Laura Veltz

Related Info

About You (BigXthaPlug Featuring Tucker Wetmore) (T), Blue Strips (Jessie Murph) (S), Grand Bouquet (Maren Morris) (T), Leave Me Too (Josh Ross) (S), Parallel Universe (Lauren Spencer Smith) (T), Someone In This Room (Jessie Murph Featuring Bailey Zimmerman) (T), Touch Me Like A Gangster (Jessie Murph) (S), What Tomorrow's For (Blessing Offor) (T), You'll Be OK, Kid - From The Original Documentary “Child Star” (Demi Lovato) (S)

Laura Veltz, a four-time GRAMMY-nominated songwriter, made history as the first woman writer to top Billboard's Country Songwriter chart & has penned numerous hits for artists including Maren Morris, Dan + Shay, and Lady A.

Commercial success

  • Laura Veltz reached No. 1 on Billboard's Country Songwriters chart, leading the tally for the first time on the strength of three writing credits on the Hot Country Songs survey, including "The Bones" by Maren Morris, "What If I Never Get Over You" by Lady A, and "To a T" by Ryan Hurd.

  • Seven of her songs have reached the top 10 on Billboard's Hot Country Songs chart, with "Speechless" by Dan + Shay reaching No. 1.

  • "The Bones," co-written by Veltz, achieved multi-platinum status and was a major crossover hit, topping country radio and charting on the Billboard Hot 100.

Cultural impact

  • Laura Veltz was among the inaugural nominees for the GRAMMY Award for Songwriter of the Year (Non-Classical), highlighting her influence in the industry.

  • She has been recognized for helping to elevate the presence of female songwriters in country music, leading the charge in the writing room during a time of underrepresentation.

  • Veltz's work has contributed to the success of major country artists, shaping the sound of contemporary country and pop-country crossover hits.

Critical response

  • Billboard noted that Veltz is "leading the charge in the writing room, in what appears to be a dire time for female songwriters in country music," and praised her for penning multiple chart-topping hits for Maren Morris and Dan + Shay. Read full review

Laura Veltz

Related Info

About You (BigXthaPlug Featuring Tucker Wetmore) (T), Blue Strips (Jessie Murph) (S), Grand Bouquet (Maren Morris) (T), Leave Me Too (Josh Ross) (S), Parallel Universe (Lauren Spencer Smith) (T), Someone In This Room (Jessie Murph Featuring Bailey Zimmerman) (T), Touch Me Like A Gangster (Jessie Murph) (S), What Tomorrow's For (Blessing Offor) (T), You'll Be OK, Kid - From The Original Documentary “Child Star” (Demi Lovato) (S)

Laura Veltz, a four-time GRAMMY-nominated songwriter, made history as the first woman writer to top Billboard's Country Songwriter chart & has penned numerous hits for artists including Maren Morris, Dan + Shay, and Lady A.

Commercial success

  • Laura Veltz reached No. 1 on Billboard's Country Songwriters chart, leading the tally for the first time on the strength of three writing credits on the Hot Country Songs survey, including "The Bones" by Maren Morris, "What If I Never Get Over You" by Lady A, and "To a T" by Ryan Hurd.

  • Seven of her songs have reached the top 10 on Billboard's Hot Country Songs chart, with "Speechless" by Dan + Shay reaching No. 1.

  • "The Bones," co-written by Veltz, achieved multi-platinum status and was a major crossover hit, topping country radio and charting on the Billboard Hot 100.

Cultural impact

  • Laura Veltz was among the inaugural nominees for the GRAMMY Award for Songwriter of the Year (Non-Classical), highlighting her influence in the industry.

  • She has been recognized for helping to elevate the presence of female songwriters in country music, leading the charge in the writing room during a time of underrepresentation.

  • Veltz's work has contributed to the success of major country artists, shaping the sound of contemporary country and pop-country crossover hits.

Critical response

  • Billboard noted that Veltz is "leading the charge in the writing room, in what appears to be a dire time for female songwriters in country music," and praised her for penning multiple chart-topping hits for Maren Morris and Dan + Shay. Read full review

Tobias Jesso Jr.

Related Info

Another Baby! (Dijon) (T), Baby! (Dijon) (T), Daisies (Justin Bieber) (T), From (Bon Iver) (T), Go Baby (Justin Bieber) (T), Golden Burning Sun (Miley Cyrus) (T), Man I Need (Olivia Dean) (S), Relationships (HAIM) (S), Walking Away (Justin Bieber) (T)

Tobias Jesso Jr. receives his second nomination for Songwriter Of The Year, Non-Classical, following his historic win as the category's inaugural recipient in 2023. This year, he continued to showcase his cross-genre appeal, contributing to projects for artists such as Justin Bieber, Dua Lipa, Miley Cyrus, HAIM, and Olivia Dean.

Commercial success

  • He co-wrote Dua Lipa’s “Houdini,” which topped the Billboard Hot Dance/Electronic Songs chart for 14 weeks starting in November 2023.

  • His co-written track "Man I Need" with Olivia Dean reached the Top 5 of the Billboard Hot 100, marking a significant breakthrough for Dean.

Cultural impact

  • Tobias Jesso Jr. was honored with the SOCAN International Achievement Award in 2024, recognizing his global influence as a songwriter.

  • Jesso’s collaborations span major pop and indie artists including Adele, Dijon, ROSALÍA & FKA twigs, reinforcing his reputation as a sought-after songwriter across genres.

Critical response

  • Pitchfork praised Jesso’s recent work, noting, "This may be Jesso’s unplugged album, but close listens reveal that his refurbished Steinway isn’t so unadorned... That he lets us see the pieces, instead of filling in the cracks, makes this portrait feel bracing and true." Read full review

  • The Guardian highlighted his songwriting approach, stating, "He kept himself behind the scenes, in the process becoming one of the world’s most successful and in-demand pop songwriters – thanks, in no small part, to his focus on simple, emotions-first songwriting." Read full review

Tobias Jesso Jr.

Related Info

Another Baby! (Dijon) (T), Baby! (Dijon) (T), Daisies (Justin Bieber) (T), From (Bon Iver) (T), Go Baby (Justin Bieber) (T), Golden Burning Sun (Miley Cyrus) (T), Man I Need (Olivia Dean) (S), Relationships (HAIM) (S), Walking Away (Justin Bieber) (T)

Tobias Jesso Jr. receives his second nomination for Songwriter Of The Year, Non-Classical, following his historic win as the category's inaugural recipient in 2023. This year, he continued to showcase his cross-genre appeal, contributing to projects for artists such as Justin Bieber, Dua Lipa, Miley Cyrus, HAIM, and Olivia Dean.

Commercial success

  • He co-wrote Dua Lipa’s “Houdini,” which topped the Billboard Hot Dance/Electronic Songs chart for 14 weeks starting in November 2023.

  • His co-written track "Man I Need" with Olivia Dean reached the Top 5 of the Billboard Hot 100, marking a significant breakthrough for Dean.

Cultural impact

  • Tobias Jesso Jr. was honored with the SOCAN International Achievement Award in 2024, recognizing his global influence as a songwriter.

  • Jesso’s collaborations span major pop and indie artists including Adele, Dijon, ROSALÍA & FKA twigs, reinforcing his reputation as a sought-after songwriter across genres.

Critical response

  • Pitchfork praised Jesso’s recent work, noting, "This may be Jesso’s unplugged album, but close listens reveal that his refurbished Steinway isn’t so unadorned... That he lets us see the pieces, instead of filling in the cracks, makes this portrait feel bracing and true." Read full review

  • The Guardian highlighted his songwriting approach, stating, "He kept himself behind the scenes, in the process becoming one of the world’s most successful and in-demand pop songwriters – thanks, in no small part, to his focus on simple, emotions-first songwriting." Read full review

Tobias Jesso Jr.

Related Info

Another Baby! (Dijon) (T), Baby! (Dijon) (T), Daisies (Justin Bieber) (T), From (Bon Iver) (T), Go Baby (Justin Bieber) (T), Golden Burning Sun (Miley Cyrus) (T), Man I Need (Olivia Dean) (S), Relationships (HAIM) (S), Walking Away (Justin Bieber) (T)

Tobias Jesso Jr. receives his second nomination for Songwriter Of The Year, Non-Classical, following his historic win as the category's inaugural recipient in 2023. This year, he continued to showcase his cross-genre appeal, contributing to projects for artists such as Justin Bieber, Dua Lipa, Miley Cyrus, HAIM, and Olivia Dean.

Commercial success

  • He co-wrote Dua Lipa’s “Houdini,” which topped the Billboard Hot Dance/Electronic Songs chart for 14 weeks starting in November 2023.

  • His co-written track "Man I Need" with Olivia Dean reached the Top 5 of the Billboard Hot 100, marking a significant breakthrough for Dean.

Cultural impact

  • Tobias Jesso Jr. was honored with the SOCAN International Achievement Award in 2024, recognizing his global influence as a songwriter.

  • Jesso’s collaborations span major pop and indie artists including Adele, Dijon, ROSALÍA & FKA twigs, reinforcing his reputation as a sought-after songwriter across genres.

Critical response

  • Pitchfork praised Jesso’s recent work, noting, "This may be Jesso’s unplugged album, but close listens reveal that his refurbished Steinway isn’t so unadorned... That he lets us see the pieces, instead of filling in the cracks, makes this portrait feel bracing and true." Read full review

  • The Guardian highlighted his songwriting approach, stating, "He kept himself behind the scenes, in the process becoming one of the world’s most successful and in-demand pop songwriters – thanks, in no small part, to his focus on simple, emotions-first songwriting." Read full review

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