The GRAMMYs
2026
Dec 1st, 2025
Song Of The Year
Song Of The Year
Song Of The Year
Nominees for The GRAMMY Awards
2026
Previous Winner
Not Like Us (Kendrick Lamar)
Field
Criteria
Songwriter(s) award for a song (melody & lyrics) first released or first achieving prominence during the eligibility year; singles/tracks only.
Songwriter(s) award for a song (melody & lyrics) first released or first achieving prominence during the eligibility year; singles/tracks only.
Songwriter(s) award for a song (melody & lyrics) first released or first achieving prominence during the eligibility year; singles/tracks only.
The nominees for The GRAMMYs Song Of The Year 2026 are Abracadabra (Lady Gaga), Anxiety (Doechii), APT. (ROSÉ, Bruno Mars), DtMF (Bad Bunny), Golden [From "KPop Demon Hunters"] (HUNTR/X: EJAE, Audrey Nuna, REI AMI), luther (Kendrick Lamar), Manchild (Sabrina Carpenter), WILDFLOWER (Billie Eilish).
Read on for more information about all the nominees and their contributors..
Song Of The Year
Abracadabra
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Abracadabra
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Abracadabra
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Anxiety
Featured Artists
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
Anxiety
Featured Artists
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
Anxiety
Featured Artists
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
ROSÉ and Bruno Mars' collaboration, "APT.", marks the lead single from ROSÉ's debut studio album and first release since departing from YG Entertainment & Interscope Records in 2023.
Cultural impact
The song was inspired by a Korean drinking game and selected by Mars from ROSÉ debut album options.
Its music video became YouTube's fifth-fastest to surpass a billion views.
Critical response
NME praised ROSÉ's songwriting craft on "APT.", highlighting its "addictive chanted chorus, lifted straight from ‘Apartment’, the drinking game she taught Mars." Read full review
Rolling Stone described "APT." as a "punchy lead single" and praised Bruno Mars as "a worthy lodestar for Rosé," highlighting the album's "solid songwriting and the captivating woman at the album’s center." Read full review
Variety commended the collaboration, noting that "APT." showcases Rosé's ability to bridge cultures and genres, calling it "a global pop anthem that cements her as a force beyond K-pop." Read full review
ROSÉ and Bruno Mars' collaboration, "APT.", marks the lead single from ROSÉ's debut studio album and first release since departing from YG Entertainment & Interscope Records in 2023.
Cultural impact
The song was inspired by a Korean drinking game and selected by Mars from ROSÉ debut album options.
Its music video became YouTube's fifth-fastest to surpass a billion views.
Critical response
NME praised ROSÉ's songwriting craft on "APT.", highlighting its "addictive chanted chorus, lifted straight from ‘Apartment’, the drinking game she taught Mars." Read full review
Rolling Stone described "APT." as a "punchy lead single" and praised Bruno Mars as "a worthy lodestar for Rosé," highlighting the album's "solid songwriting and the captivating woman at the album’s center." Read full review
Variety commended the collaboration, noting that "APT." showcases Rosé's ability to bridge cultures and genres, calling it "a global pop anthem that cements her as a force beyond K-pop." Read full review
ROSÉ and Bruno Mars' collaboration, "APT.", marks the lead single from ROSÉ's debut studio album and first release since departing from YG Entertainment & Interscope Records in 2023.
Cultural impact
The song was inspired by a Korean drinking game and selected by Mars from ROSÉ debut album options.
Its music video became YouTube's fifth-fastest to surpass a billion views.
Critical response
NME praised ROSÉ's songwriting craft on "APT.", highlighting its "addictive chanted chorus, lifted straight from ‘Apartment’, the drinking game she taught Mars." Read full review
Rolling Stone described "APT." as a "punchy lead single" and praised Bruno Mars as "a worthy lodestar for Rosé," highlighting the album's "solid songwriting and the captivating woman at the album’s center." Read full review
Variety commended the collaboration, noting that "APT." showcases Rosé's ability to bridge cultures and genres, calling it "a global pop anthem that cements her as a force beyond K-pop." Read full review
Bad Bunny's "DtMF" is a genre-blending anthem that fuses traditional Puerto Rican plena with modern pop and reggaeton, serving as a powerful statement of cultural pride and resilience.
Cultural impact
"DtMF" has been recognized as a modern plena anthem, sparking renewed interest in Puerto Rican folk traditions among younger audiences and music educators.
The song became a centerpiece of Bad Bunny's "No Me Quiero Ir de Aquí" residency at the Coliseo de Puerto Rico, where live performances highlighted its role in celebrating Puerto Rican identity.
"DtMF" has been discussed in academic and cultural forums as a response to gentrification and cultural displacement, reinforcing music's role in activism and community resilience.
Critical response
Rolling Stone noted that "DtMF" brought plena, a traditional Afro-Puerto Rican genre, to the global spotlight in an unprecedented way, calling its success "a cultural movement" that resonated worldwide. Read full review
The New York Times highlighted how "DtMF" connects Puerto Rican roots with 21st-century sounds, emphasizing its lyrical focus on holding onto memories and cultural heritage. Read full review
Billboard described "DtMF" as blasting to No. 1 on the Global 200, noting its historic achievement as Bad Bunny's fifth leader and its impact in bringing Puerto Rican music to a worldwide audience. Read full review
Bad Bunny's "DtMF" is a genre-blending anthem that fuses traditional Puerto Rican plena with modern pop and reggaeton, serving as a powerful statement of cultural pride and resilience.
Cultural impact
"DtMF" has been recognized as a modern plena anthem, sparking renewed interest in Puerto Rican folk traditions among younger audiences and music educators.
The song became a centerpiece of Bad Bunny's "No Me Quiero Ir de Aquí" residency at the Coliseo de Puerto Rico, where live performances highlighted its role in celebrating Puerto Rican identity.
"DtMF" has been discussed in academic and cultural forums as a response to gentrification and cultural displacement, reinforcing music's role in activism and community resilience.
Critical response
Rolling Stone noted that "DtMF" brought plena, a traditional Afro-Puerto Rican genre, to the global spotlight in an unprecedented way, calling its success "a cultural movement" that resonated worldwide. Read full review
The New York Times highlighted how "DtMF" connects Puerto Rican roots with 21st-century sounds, emphasizing its lyrical focus on holding onto memories and cultural heritage. Read full review
Billboard described "DtMF" as blasting to No. 1 on the Global 200, noting its historic achievement as Bad Bunny's fifth leader and its impact in bringing Puerto Rican music to a worldwide audience. Read full review
Bad Bunny's "DtMF" is a genre-blending anthem that fuses traditional Puerto Rican plena with modern pop and reggaeton, serving as a powerful statement of cultural pride and resilience.
Cultural impact
"DtMF" has been recognized as a modern plena anthem, sparking renewed interest in Puerto Rican folk traditions among younger audiences and music educators.
The song became a centerpiece of Bad Bunny's "No Me Quiero Ir de Aquí" residency at the Coliseo de Puerto Rico, where live performances highlighted its role in celebrating Puerto Rican identity.
"DtMF" has been discussed in academic and cultural forums as a response to gentrification and cultural displacement, reinforcing music's role in activism and community resilience.
Critical response
Rolling Stone noted that "DtMF" brought plena, a traditional Afro-Puerto Rican genre, to the global spotlight in an unprecedented way, calling its success "a cultural movement" that resonated worldwide. Read full review
The New York Times highlighted how "DtMF" connects Puerto Rican roots with 21st-century sounds, emphasizing its lyrical focus on holding onto memories and cultural heritage. Read full review
Billboard described "DtMF" as blasting to No. 1 on the Global 200, noting its historic achievement as Bad Bunny's fifth leader and its impact in bringing Puerto Rican music to a worldwide audience. Read full review
Golden [From "KPop Demon Hunters"]
EJAE and Mark Sonnenblick were tapped for "Golden" by Netflix for their animated musical "KPop Demon Hunters," which became the streaming platform's most-watched movie of all time. The song's creation uniquely blended EJAE's K-pop songwriting background with Sonnenblick's musical theater expertise.
Cultural impact
"Golden" won Best Song for an Animated Film at the 2025 Hollywood Music in Media Awards.
EJAE explained that she "intentionally wrote a challenging vocal line" in order to "reflect both Rumi's vocal prowess and her fierce determination to seal the magical barrier of [the] Honmoon."
A version of the track was performed live on SNL season 51 a part of a sketch in which Bad Bunny’s character expressed his love for the movie.
Critical response
Billboard described "Golden" as "rich with lyrical meaning, about battling the literal demons in the movie and the less tangible ones in life," highlighting its "gargantuan melodies." Read full review
NPR's Jae-Ha Kim praised the song's "mixture of, like, real K-pop songs where they have songs sung in Korean, but also with English," noting the English lyrics are "so good here." Read full review
Stay Free Radio observed that "Golden" follows a "clear narrative arc, moving from self-doubt to confidence," with its chorus soaring "with infectious optimism." Read full review
Golden [From "KPop Demon Hunters"]
EJAE and Mark Sonnenblick were tapped for "Golden" by Netflix for their animated musical "KPop Demon Hunters," which became the streaming platform's most-watched movie of all time. The song's creation uniquely blended EJAE's K-pop songwriting background with Sonnenblick's musical theater expertise.
Cultural impact
"Golden" won Best Song for an Animated Film at the 2025 Hollywood Music in Media Awards.
EJAE explained that she "intentionally wrote a challenging vocal line" in order to "reflect both Rumi's vocal prowess and her fierce determination to seal the magical barrier of [the] Honmoon."
A version of the track was performed live on SNL season 51 a part of a sketch in which Bad Bunny’s character expressed his love for the movie.
Critical response
Billboard described "Golden" as "rich with lyrical meaning, about battling the literal demons in the movie and the less tangible ones in life," highlighting its "gargantuan melodies." Read full review
NPR's Jae-Ha Kim praised the song's "mixture of, like, real K-pop songs where they have songs sung in Korean, but also with English," noting the English lyrics are "so good here." Read full review
Stay Free Radio observed that "Golden" follows a "clear narrative arc, moving from self-doubt to confidence," with its chorus soaring "with infectious optimism." Read full review
Golden [From "KPop Demon Hunters"]
EJAE and Mark Sonnenblick were tapped for "Golden" by Netflix for their animated musical "KPop Demon Hunters," which became the streaming platform's most-watched movie of all time. The song's creation uniquely blended EJAE's K-pop songwriting background with Sonnenblick's musical theater expertise.
Cultural impact
"Golden" won Best Song for an Animated Film at the 2025 Hollywood Music in Media Awards.
EJAE explained that she "intentionally wrote a challenging vocal line" in order to "reflect both Rumi's vocal prowess and her fierce determination to seal the magical barrier of [the] Honmoon."
A version of the track was performed live on SNL season 51 a part of a sketch in which Bad Bunny’s character expressed his love for the movie.
Critical response
Billboard described "Golden" as "rich with lyrical meaning, about battling the literal demons in the movie and the less tangible ones in life," highlighting its "gargantuan melodies." Read full review
NPR's Jae-Ha Kim praised the song's "mixture of, like, real K-pop songs where they have songs sung in Korean, but also with English," noting the English lyrics are "so good here." Read full review
Stay Free Radio observed that "Golden" follows a "clear narrative arc, moving from self-doubt to confidence," with its chorus soaring "with infectious optimism." Read full review
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
Other awards in this field
General Field
Other awards in this field
General Field
Other awards in this field
General Field
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