The GRAMMYs
2026
Dec 1st, 2025
Record Of The Year
Record Of The Year
Record Of The Year
Nominees for The GRAMMY Awards
2026
Previous Winner
Not Like Us (Kendrick Lamar)
Field
Criteria
Award to the artist and to the producer(s), recording engineer(s)/mixer(s), and mastering engineer(s) if other than the artist.
Award to the artist and to the producer(s), recording engineer(s)/mixer(s), and mastering engineer(s) if other than the artist.
Award to the artist and to the producer(s), recording engineer(s)/mixer(s), and mastering engineer(s) if other than the artist.
The nominees for The GRAMMYs Record Of The Year 2026 are DtMF (Bad Bunny), Manchild (Sabrina Carpenter), Anxiety (Doechii), WILDFLOWER (Billie Eilish), Abracadabra (Lady Gaga), luther (Kendrick Lamar), The Subway (Chappell Roan), APT. (ROSÉ, Bruno Mars).
Read on for more information about all the nominees and their contributors.
Record Of The Year
Abracadabra
Producers
Engineers/Mixers
Mastering Engineer
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Commercial success
The song debuted at No. 1 on Billboard’s Hot Dance/Pop Songs chart.
Certified Gold in the UK
'Abracadabra' peaked at No. 13 on the Billboard Hot 100 chart.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Abracadabra
Producers
Engineers/Mixers
Mastering Engineer
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Commercial success
The song debuted at No. 1 on Billboard’s Hot Dance/Pop Songs chart.
Certified Gold in the UK
'Abracadabra' peaked at No. 13 on the Billboard Hot 100 chart.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Abracadabra
Producers
Engineers/Mixers
Mastering Engineer
Lady Gaga's 'Abracadabra,' featured on her seventh studio album Mayhem, premiered with an accompanying music video during a commercial break at the 2025 GRAMMY Awards. The song marked a return to her debut era, drawing comparisons to her 2009 album, The Fame Monster.
Commercial success
The song debuted at No. 1 on Billboard’s Hot Dance/Pop Songs chart.
Certified Gold in the UK
'Abracadabra' peaked at No. 13 on the Billboard Hot 100 chart.
Cultural impact
Gaga interpolates the melody of Siouxsie and the Banshees' 1981 single 'Spellbound' during the pre-chorus.
The music video, co-directed by Lady Gaga, Parris Goebel, and Bethany Vargas, depicts a dance battle between two versions of Gaga.
The song's chorus features a 'jibberish' style singing, reminiscent of early hits like 'Bad Romance' and 'Poker Face'.
Critical response
Pitchfork noted its "gibberish chorus" reminiscent of "Bad Romance." Read full review
The New York Times highlighted Lady Gaga's interpolation of Siouxsie and the Banshees' 'Spellbound' melody during the pre-chorus, adding an "extra layer of wild-eyed magic." Read full review
Praising Lady Gaga as an "expert songwriter," Consequence highlighted how 'Abracadabra' plays with "concepts of the occult or taboo" and features a "chanting chorus reminiscent of witchcraft." Read full review
Anxiety
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Commercial success
"Anxiety" reached No. 1 on Billboard's Pop Airplay chart and also led the Rhythmic Airplay chart for two weeks, marking Doechii's first time topping both formats.
The song reached No. 10 on the Billboard Hot 100, becoming Doechii's first top 10 single on the chart and also entered the top 10 on Streaming Songs and the Billboard Global 200.
"Anxiety" was certified Platinum by the RIAA and became one of Doechii's fastest-growing singles.
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
Anxiety
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Commercial success
"Anxiety" reached No. 1 on Billboard's Pop Airplay chart and also led the Rhythmic Airplay chart for two weeks, marking Doechii's first time topping both formats.
The song reached No. 10 on the Billboard Hot 100, becoming Doechii's first top 10 single on the chart and also entered the top 10 on Streaming Songs and the Billboard Global 200.
"Anxiety" was certified Platinum by the RIAA and became one of Doechii's fastest-growing singles.
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
Anxiety
Doechii's "Anxiety" originated from her bedroom recordings and YouTube's "Coven Music Sessions" in 2020, with fans pushing for its official release. She wrote new lyrics over a sample of Gotye and Kimbra's "Somebody That I Used to Know."
Commercial success
"Anxiety" reached No. 1 on Billboard's Pop Airplay chart and also led the Rhythmic Airplay chart for two weeks, marking Doechii's first time topping both formats.
The song reached No. 10 on the Billboard Hot 100, becoming Doechii's first top 10 single on the chart and also entered the top 10 on Streaming Songs and the Billboard Global 200.
"Anxiety" was certified Platinum by the RIAA and became one of Doechii's fastest-growing singles.
Cultural impact
Doechii dropped a music video alongside the release with references to the original sample of "Somebody That I Used to Know."
Doechii's headline set at Glastonbury Festival 2025 featured a rock-infused version of "Anxiety" to the crowd's delight.
The song inspired Doechii to launch a mental health resource hub, "Anxiety is Watching Me," providing support and resources for fans navigating anxiety.
Critical response
Rolling Stone observed that Doechii "sings, 'Anxiety keeps on trying me/I feel it quietly trying to silence me, yeah/My anxiety/Can’t shake it off of me,' at the song’s start." Read full review
The Guardian praised Doechii's Glastonbury performance, noting her "implacable ferocity" and describing her rendition of "Anxiety" as "blasting the sample, Gotye’s Somebody That I Used to Know, with heavy distortion." Read full review
Billboard highlighted the song's chart-topping crossover success and noted its "viral-turned-radio hit" status, expanding across pop, R&B/hip-hop, and Latin airplay charts. Read full review
APT.
Engineers/Mixers
Mastering Engineer
ROSÉ and Bruno Mars join forces on "APT.," delivering a dynamic single that blends their distinct musical styles. The collaboration oozes chemistry, showcasing ROSÉ's expressive vocal capabilities and Bruno Mars's swagger, resulting in a track that has resonated with both fans and critics.
Commercial success
The single debuted at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.
"APT." spent 12 weeks atop the Billboard Global 200 in late 2024 and early 2025, becoming the longest-running number-one song of 2024.
It became the first No. 1 on Billboard’s Pop Airplay chart by an act prominent in K-pop.
Cultural impact
ROSÉ and Bruno Mars performed "APT." live for the first time at the 2024 MAMA Awards.
The track was responsible for a unique TikTok trend that involved a specific dance to the song.
The single won 'Song of the Year' at the 2025 Video Music Awards (VMAs).
Critical response
NME stated that "Truthfully, ROSÉ has never sounded as good as she does here," noting a "power and confidence in her voice that far surpasses her past performances" and highlighting its "vintage pop-rock riffs and attitude." Read full review
The "surprisingly robust instrumental that grows more engaging as the song goes on" was praised by The Bias List, which highlighted how "the arrangement takes a welcome turn after the second chorus, growing into a raucous bridge that injects new melody." Read full review
Upcomingsounds.com highlighted the "deceptively complex production quietly packs a subtle punch and sparkling textures that evolve across re-listens," with a chorus featuring "layered harmonies and a stomping backbeat." Read full review
APT.
Engineers/Mixers
Mastering Engineer
ROSÉ and Bruno Mars join forces on "APT.," delivering a dynamic single that blends their distinct musical styles. The collaboration oozes chemistry, showcasing ROSÉ's expressive vocal capabilities and Bruno Mars's swagger, resulting in a track that has resonated with both fans and critics.
Commercial success
The single debuted at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.
"APT." spent 12 weeks atop the Billboard Global 200 in late 2024 and early 2025, becoming the longest-running number-one song of 2024.
It became the first No. 1 on Billboard’s Pop Airplay chart by an act prominent in K-pop.
Cultural impact
ROSÉ and Bruno Mars performed "APT." live for the first time at the 2024 MAMA Awards.
The track was responsible for a unique TikTok trend that involved a specific dance to the song.
The single won 'Song of the Year' at the 2025 Video Music Awards (VMAs).
Critical response
NME stated that "Truthfully, ROSÉ has never sounded as good as she does here," noting a "power and confidence in her voice that far surpasses her past performances" and highlighting its "vintage pop-rock riffs and attitude." Read full review
The "surprisingly robust instrumental that grows more engaging as the song goes on" was praised by The Bias List, which highlighted how "the arrangement takes a welcome turn after the second chorus, growing into a raucous bridge that injects new melody." Read full review
Upcomingsounds.com highlighted the "deceptively complex production quietly packs a subtle punch and sparkling textures that evolve across re-listens," with a chorus featuring "layered harmonies and a stomping backbeat." Read full review
APT.
Engineers/Mixers
Mastering Engineer
ROSÉ and Bruno Mars join forces on "APT.," delivering a dynamic single that blends their distinct musical styles. The collaboration oozes chemistry, showcasing ROSÉ's expressive vocal capabilities and Bruno Mars's swagger, resulting in a track that has resonated with both fans and critics.
Commercial success
The single debuted at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.
"APT." spent 12 weeks atop the Billboard Global 200 in late 2024 and early 2025, becoming the longest-running number-one song of 2024.
It became the first No. 1 on Billboard’s Pop Airplay chart by an act prominent in K-pop.
Cultural impact
ROSÉ and Bruno Mars performed "APT." live for the first time at the 2024 MAMA Awards.
The track was responsible for a unique TikTok trend that involved a specific dance to the song.
The single won 'Song of the Year' at the 2025 Video Music Awards (VMAs).
Critical response
NME stated that "Truthfully, ROSÉ has never sounded as good as she does here," noting a "power and confidence in her voice that far surpasses her past performances" and highlighting its "vintage pop-rock riffs and attitude." Read full review
The "surprisingly robust instrumental that grows more engaging as the song goes on" was praised by The Bias List, which highlighted how "the arrangement takes a welcome turn after the second chorus, growing into a raucous bridge that injects new melody." Read full review
Upcomingsounds.com highlighted the "deceptively complex production quietly packs a subtle punch and sparkling textures that evolve across re-listens," with a chorus featuring "layered harmonies and a stomping backbeat." Read full review
DtMF
Engineers/Mixers
Mastering Engineer
Bad Bunny's "DtMF" was released as the fourth single from his album Debí Tirar Más Fotos, described as a "love letter to Puerto Rico."
Commercial success
"DtMF" rallied to No. 2 on the all-genre Billboard Hot 100 chart.
It blasted to No. 1 on the Billboard Global 200 chart.
The track spent 20 weeks at No. 1 on Billboard's Hot Latin Songs chart.
Cultural impact
Bad Bunny performed "DtMF" at the 50th anniversary of Saturday Night Live.
The track inspired a viral TikTok trend where users shared emotional tributes to late loved ones.
"DtMF" won the 2025 Latin Grammy Award for Best Urban Song.
Critical response
Rolling Stone described the title track "DtMF" as blending "Nintendo-inspired beats" with "lively plena, a Puerto Rican folk call-and-response genre." Read full review
Pitchfork observed that Bad Bunny "lets the hand drums and Afro-Indigenous sounds live right alongside the hypnotic synth lines and sub-rattling bass." Read full review
Variety praised the album's "foundation of live instrumentation, blending tradition and modernity with genres like salsa, reggaeton, dembow and plena." Read full review
DtMF
Engineers/Mixers
Mastering Engineer
Bad Bunny's "DtMF" was released as the fourth single from his album Debí Tirar Más Fotos, described as a "love letter to Puerto Rico."
Commercial success
"DtMF" rallied to No. 2 on the all-genre Billboard Hot 100 chart.
It blasted to No. 1 on the Billboard Global 200 chart.
The track spent 20 weeks at No. 1 on Billboard's Hot Latin Songs chart.
Cultural impact
Bad Bunny performed "DtMF" at the 50th anniversary of Saturday Night Live.
The track inspired a viral TikTok trend where users shared emotional tributes to late loved ones.
"DtMF" won the 2025 Latin Grammy Award for Best Urban Song.
Critical response
Rolling Stone described the title track "DtMF" as blending "Nintendo-inspired beats" with "lively plena, a Puerto Rican folk call-and-response genre." Read full review
Pitchfork observed that Bad Bunny "lets the hand drums and Afro-Indigenous sounds live right alongside the hypnotic synth lines and sub-rattling bass." Read full review
Variety praised the album's "foundation of live instrumentation, blending tradition and modernity with genres like salsa, reggaeton, dembow and plena." Read full review
DtMF
Engineers/Mixers
Mastering Engineer
Bad Bunny's "DtMF" was released as the fourth single from his album Debí Tirar Más Fotos, described as a "love letter to Puerto Rico."
Commercial success
"DtMF" rallied to No. 2 on the all-genre Billboard Hot 100 chart.
It blasted to No. 1 on the Billboard Global 200 chart.
The track spent 20 weeks at No. 1 on Billboard's Hot Latin Songs chart.
Cultural impact
Bad Bunny performed "DtMF" at the 50th anniversary of Saturday Night Live.
The track inspired a viral TikTok trend where users shared emotional tributes to late loved ones.
"DtMF" won the 2025 Latin Grammy Award for Best Urban Song.
Critical response
Rolling Stone described the title track "DtMF" as blending "Nintendo-inspired beats" with "lively plena, a Puerto Rican folk call-and-response genre." Read full review
Pitchfork observed that Bad Bunny "lets the hand drums and Afro-Indigenous sounds live right alongside the hypnotic synth lines and sub-rattling bass." Read full review
Variety praised the album's "foundation of live instrumentation, blending tradition and modernity with genres like salsa, reggaeton, dembow and plena." Read full review
luther
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Commercial success
"luther" ruled the Billboard Hot 100 songs chart for 13 consecutive weeks.
The song tied Lil Nas X’s "Old Town Road" for the third-longest command on the Hot R&B/Hip-Hop Songs chart.
It achieved 5x RIAA Platinum certification eligibility and surpassed over 1B streams on Spotify.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
luther
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Commercial success
"luther" ruled the Billboard Hot 100 songs chart for 13 consecutive weeks.
The song tied Lil Nas X’s "Old Town Road" for the third-longest command on the Hot R&B/Hip-Hop Songs chart.
It achieved 5x RIAA Platinum certification eligibility and surpassed over 1B streams on Spotify.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
luther
Kendrick Lamar & SZA's "luther" emerged as part of the GNX rollout, sampling Luther Vandross and Cheryl Lynn's "If This World Were Mine" to craft a love song about alleviating a partner's pain.
Commercial success
"luther" ruled the Billboard Hot 100 songs chart for 13 consecutive weeks.
The song tied Lil Nas X’s "Old Town Road" for the third-longest command on the Hot R&B/Hip-Hop Songs chart.
It achieved 5x RIAA Platinum certification eligibility and surpassed over 1B streams on Spotify.
Cultural impact
Kendrick Lamar and SZA performed "luther" at the Super Bowl LIX Halftime Show.
Part of the track became a popular sound used on TikTok and social media, with a dance challenge even becoming part of the virality.
Critical response
NPR Music critic Ken Tucker noted that Lamar "samples Luther Vandross' 'If This World Were Mine,' with Kendrick singing and wrapping his own love lyric all around it." Read full review
Songs Magazine highlighted that "Kendrick Lamar weaves his verses with sharp poetry, exploring themes of identity, struggle, and hope," while SZA "adds emotional depth." Read full review
The New York Times Amplifier Newsletter described "luther" as "easily the album’s most tender moment," where Lamar and SZA "trade verses that imagine a better world for their beloveds." Read full review
Manchild
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Commercial success
The track debuted at No. 1 on the Billboard Hot 100, marking her second number-one single.
Certified Platinum by the RIAA
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
Manchild
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Commercial success
The track debuted at No. 1 on the Billboard Hot 100, marking her second number-one single.
Certified Platinum by the RIAA
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
Manchild
Sabrina Carpenter's 'Manchild' serves as the lead single for her seventh album, Man's Best Friend, offering a sharp critique of masculinity and immature men.
Commercial success
The track debuted at No. 1 on the Billboard Hot 100, marking her second number-one single.
Certified Platinum by the RIAA
Cultural impact
Sabrina Carpenter debuted 'Manchild' live at the Primavera Sound Festival in Barcelona in June, marking its first major festival performance.
To support the release, drive-in theater experiences were held, paying homage to the "cinematic" feel of the song & project's rollout.
The song went viral on TikTok, with its bridge inspiring a dance trend that included participation from celebrities like Anne Hathaway.
Critical response
The Guardian observed that 'Manchild' is "astounding in its construction and stickiness," noting its "second verse has a completely different melody than the first, which is different again from the bridge." Read full review
Rolling Stone highlighted that "Carpenter has few peers these days when it comes to turning some of the most uncomfortable or even painful feelings when you’re crying over an ex into giggle-worthy treats." Read full review
"'Every jab and insult leveled at men in her music is played like a gag fit for a screwball comedy,' NPR Music stated, identifying compositional influences from 'fist-raising classic country' and '90s R&B hits like 'No Scrubs.'" Read full review
The Subway
Producers
Engineers/Mixers
Mastering Engineer
Originally hesitant to release a studio version, Chappell Roan's "The Subway," arrived in July with her usual counterpart Dan Nigro assisting to bring the track to life.
Commercial success
The single debuted at No. 3 on the Billboard Hot 100.
"The Subway" became Chappell Roan's highest-charting Hot 100 hit of her career.
It earned Chappell Roan her second U.K. No. 1 hit, debuting atop the Official Singles Chart.
Cultural impact
The music video for "The Subway" was directed by Amber Grace Johnson and shot on 35mm film in New York City.
The New York Transit Museum added the song to its screen credits for utilizing restored antique subway cars in the music video.
Chappell Roan performed the song live at major festivals including Lollapalooza 2024 and Primavera Sound 2025.
Critical response
Consequence noted that producer Dan Nigro "floods her vocals with space and reverb and lets a clean electric guitar do a lot of the talking," creating a sound closer to early '90s acts like The Cranberries and The Sundays. Read full review
NPR Music observed the song pulls from '90s jangle-pop acts like The Sundays and The Cranberries, with Roan's vocals wailing at the song's end "not unlike the latter's late lead singer Dolores O'Riordan." Read full review
Slant Magazine highlighted how concerns about replicating live vocal performance were "largely assuaged, especially during the track's sublime outro," with Roan's "lilting crack in her voice recalling that of Cocteau Twins's Elizabeth Fraser." Read full review
The Subway
Producers
Engineers/Mixers
Mastering Engineer
Originally hesitant to release a studio version, Chappell Roan's "The Subway," arrived in July with her usual counterpart Dan Nigro assisting to bring the track to life.
Commercial success
The single debuted at No. 3 on the Billboard Hot 100.
"The Subway" became Chappell Roan's highest-charting Hot 100 hit of her career.
It earned Chappell Roan her second U.K. No. 1 hit, debuting atop the Official Singles Chart.
Cultural impact
The music video for "The Subway" was directed by Amber Grace Johnson and shot on 35mm film in New York City.
The New York Transit Museum added the song to its screen credits for utilizing restored antique subway cars in the music video.
Chappell Roan performed the song live at major festivals including Lollapalooza 2024 and Primavera Sound 2025.
Critical response
Consequence noted that producer Dan Nigro "floods her vocals with space and reverb and lets a clean electric guitar do a lot of the talking," creating a sound closer to early '90s acts like The Cranberries and The Sundays. Read full review
NPR Music observed the song pulls from '90s jangle-pop acts like The Sundays and The Cranberries, with Roan's vocals wailing at the song's end "not unlike the latter's late lead singer Dolores O'Riordan." Read full review
Slant Magazine highlighted how concerns about replicating live vocal performance were "largely assuaged, especially during the track's sublime outro," with Roan's "lilting crack in her voice recalling that of Cocteau Twins's Elizabeth Fraser." Read full review
The Subway
Producers
Engineers/Mixers
Mastering Engineer
Originally hesitant to release a studio version, Chappell Roan's "The Subway," arrived in July with her usual counterpart Dan Nigro assisting to bring the track to life.
Commercial success
The single debuted at No. 3 on the Billboard Hot 100.
"The Subway" became Chappell Roan's highest-charting Hot 100 hit of her career.
It earned Chappell Roan her second U.K. No. 1 hit, debuting atop the Official Singles Chart.
Cultural impact
The music video for "The Subway" was directed by Amber Grace Johnson and shot on 35mm film in New York City.
The New York Transit Museum added the song to its screen credits for utilizing restored antique subway cars in the music video.
Chappell Roan performed the song live at major festivals including Lollapalooza 2024 and Primavera Sound 2025.
Critical response
Consequence noted that producer Dan Nigro "floods her vocals with space and reverb and lets a clean electric guitar do a lot of the talking," creating a sound closer to early '90s acts like The Cranberries and The Sundays. Read full review
NPR Music observed the song pulls from '90s jangle-pop acts like The Sundays and The Cranberries, with Roan's vocals wailing at the song's end "not unlike the latter's late lead singer Dolores O'Riordan." Read full review
Slant Magazine highlighted how concerns about replicating live vocal performance were "largely assuaged, especially during the track's sublime outro," with Roan's "lilting crack in her voice recalling that of Cocteau Twins's Elizabeth Fraser." Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Commercial success
"WILDFLOWER" has garnered over 2B billion streams across platforms.
The song spent 72 weeks on the Billboard Hot 100, making it the longest-charting solo female song in the chart's history and the 10th longest-charting song overall.
Certified 4x Platinum by the RIAA.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Commercial success
"WILDFLOWER" has garnered over 2B billion streams across platforms.
The song spent 72 weeks on the Billboard Hot 100, making it the longest-charting solo female song in the chart's history and the 10th longest-charting song overall.
Certified 4x Platinum by the RIAA.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
WILDFLOWER
Attempting to build on her 9 GRAMMY wins, Billie Eilish's "WILDFLOWER" is the fourth single from her most recent album 'HIT ME HARD AND SOFT', written & produced by her brother Finneas.
Commercial success
"WILDFLOWER" has garnered over 2B billion streams across platforms.
The song spent 72 weeks on the Billboard Hot 100, making it the longest-charting solo female song in the chart's history and the 10th longest-charting song overall.
Certified 4x Platinum by the RIAA.
Cultural impact
The track was featured in a set of live appearances on outlets such as SNL, COLORS & Songline.
Although Eilish had never clarified who the song is about, it has been reported that multiple lines in the song allude to her relationship with Devon Lee Carlson.
"WILDFLOWER" featured prominently on the setlist for Eilish's HIT ME HARD AND SOFT: THE TOUR, which spanned 106 dates across the globe.
Critical response
The Guardian described "WILDFLOWER" as a "stealthy acoustic-driven power ballad." Read full review
Pitchfork noted the track's "much-hyped live instrumentation" as "more window dressing than it is integral to the artistry." Read full review
Rolling Stone praised "WILDFLOWER" for its emotional restraint and cinematic sweep, noting that it "builds slowly into one of the album’s most affecting moments." Read full review
Other awards in this field
General Field
Other awards in this field
General Field
Other awards in this field
General Field
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