FKA twigs' third studio album, EUSEXUA, draws inspiration from late nights in Prague's underground techno scene. The title, a portmanteau of "euphoria" and "sexual," is defined by FKA twigs as a state of total sensual wellness or momentary transcendence.

Commercial success

• EUSEXUA debuted at No. 24 on the Billboard 200 chart.

• This debut marked the highest charting album of FKA twigs' career on the all-genre Billboard 200.

• The album also debuted at No. 1 on Billboard’s Top Dance Albums chart, her fourth career No. 1 on that chart.

Cultural impact

• The album features a guest appearance by North West on the track 'Childlike Things'.

• twigs launched a European and North American tour in support of EUSEXUA in 2025.

• A filmed conversation between FKA twigs and Imogen Heap for Spotify was released alongside the album.

• twigs continued to build on the world of the album, releasing EUSEXUA Afterglow in November of 2025.

Critical response

• Pitchfork described FKA twigs' third album as bringing "club music into her sensual, supernatural world" and a "masterful pop-star moment for the artist." Read full review

• The Guardian called the album "a hymn to the healing power of the dancefloor," highlighting its embrace of dance music. Read full review

• The New York Times noted that FKA twigs "seems to be embracing one of the genre’s universal hallmarks: a propulsive, danceable beat," adding pop momentum to her ambitious repertoire. Read full review

PinkPantheress' second mixtape, Fancy That, marks her continued evolution in the dance/electronic space. The fast-paced 8-song project feels like a live DJ performance, the songs seamlessly blending into each other, showcasing PinkPantheress' ability to infuse pop with dance & UK garage.

Commercial success

• Debuted at No. 3 on the UK Albums Chart.

• Reached No. 72 on the Billboard 200 chart.

• Sold 14K equivalent units in its first week.

Cultural impact

• PinkPantheress announced the 'An Evening With PinkPantheress' North American tour in Fall 2025 in support of the album.

• The mixtape's samples amplify PinkPantheress's signature Y2K influence.

• The project showcases PinkPantheress' growth while holding true to her roots in U.K. garage and 2000s pop.

Critical response

• Variety noted that “Fancy That” delivers on PinkPantheress’ promise, "satiating while still leaving the listener wanting more." Read full review

• The Guardian described the music as "simultaneously boiled down yet packed with ideas, fleeting but not lacking, familiar but fresh, focused less on making grand statements than with immediacy and unforced fun." Read full review

• Pitchfork observed that PinkPantheress "occupies the space between the bouncing, full-bodied bassline and plaintive keyboards with a plainly stated want that would be unthinkable on her introverted early releases." Read full review

Skrillex's album, F— U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, was a surprise release on April Fools' Day, marking a return to his dubstep roots after his 2023 double-album. The project's release also fulfilled his years-long contract with Atlantic Records, allowing him to release music independently going forward.

Commercial success

• The album debuted at No. 1 on Billboard’s Top Dance/Electronic Albums chart, reaffirming Skrillex’s dominance within the genre.

• The album debuted at No. 3 on the US iTunes Albums Chart and maintained a Top 10 position during its release week.

• The album reached No. 26 on the Billboard 200, marking one of Skrillex's highest placements on the all-genre chart.

Cultural impact

• It is considered a "love letter to the dance culture he helped foster" and a "joyous retrospective of what made him a global phenomenon."

• The album features collaborations from a wide range of musicians & producers including Dj Smokey, Zacari, PARISI, Dylan Brady, Wuki, LOAM, bgirl, Naisha & more.

Critical response

• Pitchfork described the album as "a victory lap, the most fun 'I told you so' you’ll probably ever hear," noting that Skrillex is "writing some of the most ridiculous dance music ever made and making even purists fall for the wubs." Read full review

• Rolling Stone stated that "the music follows itself along, one tune blending cleanly or mischievously into the next, a beginning-to-end journey in sound that unveils new details over many plays." Read full review