


BMG Posts H1 Revenue Decline
But lists a record EBITDA margin
BMG has posted a 7.8% YoY revenue drop for H1 2025, despite streaming gains and a record-high EBITDA margin.
Overall performance:
Revenue of €424 million ($496 million), down 7.8% YoY; organic revenue declined 4.4%.
Bertelsmann blamed “lower revenues in the publishing and label business as well as portfolio changes from the sale of the live business.”
BMG added: “The decline primarily reflects the disposal of non-core businesses, including the divestment of live.”
EBITDA margin was a record 28.7% (up from 26.5%), though adjusted operating EBITDA remained flat at €122 million ($143 million).
Specific markets:
US sales were €216 million ($252 million), down 8.1% from H1 2024, but still over 50% of total revenue.
BMG acknowledged “market dynamic shifts” in Germany’s revenue (€34 million / $40 million, down 17% YoY) and France’s (€19 million / $22 million, down 41% YoY).
Streaming:
Digital accounted for 72% of H1 revenue, up from 69% in H1 2024.
Core streaming revenue experienced high-single digit growth.
Catalog acquisitions and investment:
BMG completed 17 acquisitions in the first half of 2025.
Marquee signings and extensions included OneRepublic, Meek, Olly Murs, Evanescence and more in recordings, and James Arthur, Tom Walker, Steven Wilson and more in publishing.
What they said:
BMG CEO Thomas Coesfeld: “Our results for the first half of 2025 demonstrate the effectiveness and strength of our BMG Next business model: disciplined, digital-first, and built for long-term value for all stakeholders. Our strategy is rooted in what we do best – music publishing and recorded music – while continuously building new capabilities to enhance our service. Innovation and technology are the engines driving how we work and how we support our artists and songwriters. We’re building a future-forward music company, uniquely positioned at the intersection of creativity and technology.”
BMG has posted a 7.8% YoY revenue drop for H1 2025, despite streaming gains and a record-high EBITDA margin.
Overall performance:
Revenue of €424 million ($496 million), down 7.8% YoY; organic revenue declined 4.4%.
Bertelsmann blamed “lower revenues in the publishing and label business as well as portfolio changes from the sale of the live business.”
BMG added: “The decline primarily reflects the disposal of non-core businesses, including the divestment of live.”
EBITDA margin was a record 28.7% (up from 26.5%), though adjusted operating EBITDA remained flat at €122 million ($143 million).
Specific markets:
US sales were €216 million ($252 million), down 8.1% from H1 2024, but still over 50% of total revenue.
BMG acknowledged “market dynamic shifts” in Germany’s revenue (€34 million / $40 million, down 17% YoY) and France’s (€19 million / $22 million, down 41% YoY).
Streaming:
Digital accounted for 72% of H1 revenue, up from 69% in H1 2024.
Core streaming revenue experienced high-single digit growth.
Catalog acquisitions and investment:
BMG completed 17 acquisitions in the first half of 2025.
Marquee signings and extensions included OneRepublic, Meek, Olly Murs, Evanescence and more in recordings, and James Arthur, Tom Walker, Steven Wilson and more in publishing.
What they said:
BMG CEO Thomas Coesfeld: “Our results for the first half of 2025 demonstrate the effectiveness and strength of our BMG Next business model: disciplined, digital-first, and built for long-term value for all stakeholders. Our strategy is rooted in what we do best – music publishing and recorded music – while continuously building new capabilities to enhance our service. Innovation and technology are the engines driving how we work and how we support our artists and songwriters. We’re building a future-forward music company, uniquely positioned at the intersection of creativity and technology.”
BMG has posted a 7.8% YoY revenue drop for H1 2025, despite streaming gains and a record-high EBITDA margin.
Overall performance:
Revenue of €424 million ($496 million), down 7.8% YoY; organic revenue declined 4.4%.
Bertelsmann blamed “lower revenues in the publishing and label business as well as portfolio changes from the sale of the live business.”
BMG added: “The decline primarily reflects the disposal of non-core businesses, including the divestment of live.”
EBITDA margin was a record 28.7% (up from 26.5%), though adjusted operating EBITDA remained flat at €122 million ($143 million).
Specific markets:
US sales were €216 million ($252 million), down 8.1% from H1 2024, but still over 50% of total revenue.
BMG acknowledged “market dynamic shifts” in Germany’s revenue (€34 million / $40 million, down 17% YoY) and France’s (€19 million / $22 million, down 41% YoY).
Streaming:
Digital accounted for 72% of H1 revenue, up from 69% in H1 2024.
Core streaming revenue experienced high-single digit growth.
Catalog acquisitions and investment:
BMG completed 17 acquisitions in the first half of 2025.
Marquee signings and extensions included OneRepublic, Meek, Olly Murs, Evanescence and more in recordings, and James Arthur, Tom Walker, Steven Wilson and more in publishing.
What they said:
BMG CEO Thomas Coesfeld: “Our results for the first half of 2025 demonstrate the effectiveness and strength of our BMG Next business model: disciplined, digital-first, and built for long-term value for all stakeholders. Our strategy is rooted in what we do best – music publishing and recorded music – while continuously building new capabilities to enhance our service. Innovation and technology are the engines driving how we work and how we support our artists and songwriters. We’re building a future-forward music company, uniquely positioned at the intersection of creativity and technology.”
BMG
Bertelsmann
Thomas Coesfeld
OneRepublic
Meek
Olly Murs
Evanescence
James Arthur
Tom Walker
Steven Wilson
Major Label Financial Performance
Music Catalog Acquisitions
Major Label Quarterly Earnings
Restructuring For Strategic Investment
Oscillating Revenue Growth Pattern
Shedding Assets For Margin Growth
Quarterly Earnings
Music Publishing
Record Labels
Catalog Sales
Artist Signings
Business Divestment
United States
Germany
France
👋 Disclosures & Transparency Block
- This story was written with information sourced from Digital Music News and Music Week.
- We covered it because it’s the H1 financials of a prominent record label.
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