


Ticket Fees in New York Have Surged by 36% Since 2016
The figure comes from a recent study by NITO
The National Independent Talent Organization (NITO) has conducted a study into ticket fees in New York. The full report is here.
Topline findings:
The average primary market ticket fee is 28.65% of the face value ticket.
This is a 36.7% increase from 2016, when a NY Attorney General’s report found that ticket fees in the primary market averaged 21% of face value.
Ticket fees for secondary sites such as SeatGeek, StubHub and Vivid Seats averaged 38.95%, over 10% higher than the primary market average.
Lower priced primary market tickets carry disproportionately higher fees, with those priced at $40 or less carrying an average fee of 35.5%.
The average price of fee was $17.51 on an average $69.70 face value ticket.
There were multiple cases of ticket fees costing more than 100% of face value.
Ticket fees were more than 50% of the face value in almost 10% of the data.
Ticketmaster and AXS fees were nearly double all other providers at an average of 34.73% vs 18.71%.
Methodology:
NITO analyzed 68 venues across the state, 40 from outside the five boroughs and 28 within, and included pricing data for 500 tickets.
For each venue three to five shows were analyzed, with efforts made to include a range of ticket price points.
Venue capacities ranged from 150 to 20,000.
Platinum seats and other dynamically priced tickets were excluded to focus on standard pricing.
The secondary market analysis focused on StubHub, SeatGeek and Vivid Seats, with 50 tickets on each platform reviewed.
Resale platforms operated by primary sellers – TM+ (Ticketmaster) and AXS Marketplace – were examined independently to assess how fees and pricing compared to their respective primary markets.
The solutions:
NITO outlines several steps to create a more sustainable concert environment in New York, including:
Cap ticket fees at 15% of the face value.
Let artists control resale restrictions, blocking resellers and allowing true fans to pay the price the artist sets.
Commercial rent stabilization for creative spaces.
Tax relief for independent venues with a focus on emerging artists.
Direct government investment in the creative spaces and artists.
What they said:
A quote from the NITO report: “These fees are not just irritating; they are a form of systemic price distortion, artificially inflating the cost of live entertainment and degrading the relationship between artists and audiences. In many cases, they also appear to violate existing New York law, which prohibits ‘services charges in excess of the actual cost’ of delivering a ticket. The New York legislature has the power to fix this. It can pass proposed legislation that would cap primary and secondary market ticket fees. At the very least, we must stop pretending that this system is working. It is not. Excessive fees hurt fans, burden artists, and erode public trust. New Yorkers deserve better.”
The National Independent Talent Organization (NITO) has conducted a study into ticket fees in New York. The full report is here.
Topline findings:
The average primary market ticket fee is 28.65% of the face value ticket.
This is a 36.7% increase from 2016, when a NY Attorney General’s report found that ticket fees in the primary market averaged 21% of face value.
Ticket fees for secondary sites such as SeatGeek, StubHub and Vivid Seats averaged 38.95%, over 10% higher than the primary market average.
Lower priced primary market tickets carry disproportionately higher fees, with those priced at $40 or less carrying an average fee of 35.5%.
The average price of fee was $17.51 on an average $69.70 face value ticket.
There were multiple cases of ticket fees costing more than 100% of face value.
Ticket fees were more than 50% of the face value in almost 10% of the data.
Ticketmaster and AXS fees were nearly double all other providers at an average of 34.73% vs 18.71%.
Methodology:
NITO analyzed 68 venues across the state, 40 from outside the five boroughs and 28 within, and included pricing data for 500 tickets.
For each venue three to five shows were analyzed, with efforts made to include a range of ticket price points.
Venue capacities ranged from 150 to 20,000.
Platinum seats and other dynamically priced tickets were excluded to focus on standard pricing.
The secondary market analysis focused on StubHub, SeatGeek and Vivid Seats, with 50 tickets on each platform reviewed.
Resale platforms operated by primary sellers – TM+ (Ticketmaster) and AXS Marketplace – were examined independently to assess how fees and pricing compared to their respective primary markets.
The solutions:
NITO outlines several steps to create a more sustainable concert environment in New York, including:
Cap ticket fees at 15% of the face value.
Let artists control resale restrictions, blocking resellers and allowing true fans to pay the price the artist sets.
Commercial rent stabilization for creative spaces.
Tax relief for independent venues with a focus on emerging artists.
Direct government investment in the creative spaces and artists.
What they said:
A quote from the NITO report: “These fees are not just irritating; they are a form of systemic price distortion, artificially inflating the cost of live entertainment and degrading the relationship between artists and audiences. In many cases, they also appear to violate existing New York law, which prohibits ‘services charges in excess of the actual cost’ of delivering a ticket. The New York legislature has the power to fix this. It can pass proposed legislation that would cap primary and secondary market ticket fees. At the very least, we must stop pretending that this system is working. It is not. Excessive fees hurt fans, burden artists, and erode public trust. New Yorkers deserve better.”
The National Independent Talent Organization (NITO) has conducted a study into ticket fees in New York. The full report is here.
Topline findings:
The average primary market ticket fee is 28.65% of the face value ticket.
This is a 36.7% increase from 2016, when a NY Attorney General’s report found that ticket fees in the primary market averaged 21% of face value.
Ticket fees for secondary sites such as SeatGeek, StubHub and Vivid Seats averaged 38.95%, over 10% higher than the primary market average.
Lower priced primary market tickets carry disproportionately higher fees, with those priced at $40 or less carrying an average fee of 35.5%.
The average price of fee was $17.51 on an average $69.70 face value ticket.
There were multiple cases of ticket fees costing more than 100% of face value.
Ticket fees were more than 50% of the face value in almost 10% of the data.
Ticketmaster and AXS fees were nearly double all other providers at an average of 34.73% vs 18.71%.
Methodology:
NITO analyzed 68 venues across the state, 40 from outside the five boroughs and 28 within, and included pricing data for 500 tickets.
For each venue three to five shows were analyzed, with efforts made to include a range of ticket price points.
Venue capacities ranged from 150 to 20,000.
Platinum seats and other dynamically priced tickets were excluded to focus on standard pricing.
The secondary market analysis focused on StubHub, SeatGeek and Vivid Seats, with 50 tickets on each platform reviewed.
Resale platforms operated by primary sellers – TM+ (Ticketmaster) and AXS Marketplace – were examined independently to assess how fees and pricing compared to their respective primary markets.
The solutions:
NITO outlines several steps to create a more sustainable concert environment in New York, including:
Cap ticket fees at 15% of the face value.
Let artists control resale restrictions, blocking resellers and allowing true fans to pay the price the artist sets.
Commercial rent stabilization for creative spaces.
Tax relief for independent venues with a focus on emerging artists.
Direct government investment in the creative spaces and artists.
What they said:
A quote from the NITO report: “These fees are not just irritating; they are a form of systemic price distortion, artificially inflating the cost of live entertainment and degrading the relationship between artists and audiences. In many cases, they also appear to violate existing New York law, which prohibits ‘services charges in excess of the actual cost’ of delivering a ticket. The New York legislature has the power to fix this. It can pass proposed legislation that would cap primary and secondary market ticket fees. At the very least, we must stop pretending that this system is working. It is not. Excessive fees hurt fans, burden artists, and erode public trust. New Yorkers deserve better.”
National Independent Talent Organization
SeatGeek
StubHub
Vivid Seats
Ticketmaster
AXS
TM+
AXS Marketplace
New York
Rising Scrutiny Of Ticketing Practices
Legal Scrutiny Of Ticketing Practices
Ticketing Practices
Secondary Ticketing Issues
Government Regulation Of Ticketing
Ticketing Legislation
Independent Venue Advocacy
Restoring The Artist Middle Class
Economic Impact Study
Consumer Protection Law
Ticket Price Cap
Anti-Scalping Advocacy
Ticket Resale
Ticketing
Industry Report
United States
New York, US
👋 Disclosures & Transparency Block
This story was written with information from NITO.
We covered it because it’s a report on the ticketing industry by a major industry body.
📨 Subscribe to NIF
Get news dropped in your inbox 👇
📨 Subscribe to NIF
Get news dropped in your inbox 👇
Related Articles

Policy & Legal
Dec 2, 2025
1 min read
Daddy Yankee Files Lawsuit Against Raphy Pina Over Allegedly Diverted Royalties
The suit claims that the Puerto Rican artist is owed millions from his former manager

Policy & Legal
Dec 1, 2025
1 min read
Music Fans in Quebec Reject Plan For French-Language Streaming Quotas
Bill 109 seeks to “affirm the cultural sovereignty” of the French-Canadian province

Policy & Legal
Dec 1, 2025
1 min read
Former Cradle of Filth Members Launch Legal Action Against Vocalist Dani Filth
The move follows the departures of keyboardist Zoe Marie Federoff and guitarist Marek ‘Ashok’ Šmerda

Daddy Yankee Files Lawsuit Against Raphy Pina Over Allegedly Diverted Royalties
The suit claims that the Puerto Rican artist is owed millions from his former manager

Harry Levin
Policy
Dec 2, 2025

Music Fans in Quebec Reject Plan For French-Language Streaming Quotas
Bill 109 seeks to “affirm the cultural sovereignty” of the French-Canadian province

Rod Yates
Policy
Dec 1, 2025

Former Cradle of Filth Members Launch Legal Action Against Vocalist Dani Filth
The move follows the departures of keyboardist Zoe Marie Federoff and guitarist Marek ‘Ashok’ Šmerda

Rod Yates
Policy
Dec 1, 2025

ECSA Voices Concerns Over Major Label AI Deals
The European Composer and Songwriter Alliance is calling for more transparency

Rod Yates
Policy
Dec 1, 2025

Johnny Cash Estate Sues Coca-Cola
The claim relates to the beverage giant’s use of a sound-alike singer in a TV ad

Rod Yates
Policy
Nov 28, 2025

Taylor Swift Fans’ Lawsuit Against Live Nation to Proceed
The suit relates to the ‘Eras’ tour onsale

Rod Yates
Policy
Nov 28, 2025




