The GRAMMYs
2026
Dec 1st, 2025
Best Americana Album
Best Americana Album
Best Americana Album
Nominees for The GRAMMY Awards
2026
Previous Winner
Trail of Flowers (Sierra Ferrell)
Criteria
Albums with >75% playing time of new Americana recordings.
Albums with >75% playing time of new Americana recordings.
Albums with >75% playing time of new Americana recordings.
The nominees for The GRAMMYs Best Americana Album 2026 are BIG MONEY (Jon Batiste), Bloom (Larkin Poe), Last Leaf On The Tree (Willie Nelson), So Long Little Miss Sunshine (Molly Tuttle), Middle (Jesse Welles).
Read on for more information about all the nominees and their contributors..
Best Americana Album

Aug 22, 2025
Listen on Spotify
BIG MONEY
Jon Batiste's ninth studio album, BIG MONEY, was written and recorded mostly live in single takes over two weeks, capturing a raw immediacy and spontaneous energy. Batiste views his organic approach as a direct statement on the importance of keeping musical traditions alive, in part as a rejoinder to A.I. music.
Commercial success
BIG MONEY debuted at No. 1 on Billboard's Classical Albums chart.
The album entered the Billboard 200 at No. 64, marking his highest entry on that chart.
Cultural impact
Jon Batiste embarked on “The Big Money Tour: Jon Batiste Plays America,” stopping at more than 30 venues across the US
Batiste also performed “Lean On My Love” for A COLORS SHOW.
The singer coined the term 'New Americana' around the album, describing an effort to expand the genre's boundaries in the current landscape.
Critical response
DownBeat stated, "With Big Money, Jon Batiste hits the ears with a perfect little package of pure joy, fantastic wordplay, amazing musicianship and subtle soul all bundled in a stripped-down set of nine tunes that groove, bop and flow with perfection." Read full review
AP News reported that Jon Batiste "opts for a surprisingly intimate sound" on BIG MONEY, with "stripped-down, mostly acoustic arrangements creat[ing] a chill vibe." Read full review
Riff Magazine praised the album as "a compact, authoritative statement on American roots music," noting how Batiste "integrates diverse American musical traditions to create an intimate yet communal work." Read full review

Aug 22, 2025
Listen on Spotify
BIG MONEY
Jon Batiste's ninth studio album, BIG MONEY, was written and recorded mostly live in single takes over two weeks, capturing a raw immediacy and spontaneous energy. Batiste views his organic approach as a direct statement on the importance of keeping musical traditions alive, in part as a rejoinder to A.I. music.
Commercial success
BIG MONEY debuted at No. 1 on Billboard's Classical Albums chart.
The album entered the Billboard 200 at No. 64, marking his highest entry on that chart.
Cultural impact
Jon Batiste embarked on “The Big Money Tour: Jon Batiste Plays America,” stopping at more than 30 venues across the US
Batiste also performed “Lean On My Love” for A COLORS SHOW.
The singer coined the term 'New Americana' around the album, describing an effort to expand the genre's boundaries in the current landscape.
Critical response
DownBeat stated, "With Big Money, Jon Batiste hits the ears with a perfect little package of pure joy, fantastic wordplay, amazing musicianship and subtle soul all bundled in a stripped-down set of nine tunes that groove, bop and flow with perfection." Read full review
AP News reported that Jon Batiste "opts for a surprisingly intimate sound" on BIG MONEY, with "stripped-down, mostly acoustic arrangements creat[ing] a chill vibe." Read full review
Riff Magazine praised the album as "a compact, authoritative statement on American roots music," noting how Batiste "integrates diverse American musical traditions to create an intimate yet communal work." Read full review

Aug 22, 2025
Listen on Spotify
BIG MONEY
Jon Batiste's ninth studio album, BIG MONEY, was written and recorded mostly live in single takes over two weeks, capturing a raw immediacy and spontaneous energy. Batiste views his organic approach as a direct statement on the importance of keeping musical traditions alive, in part as a rejoinder to A.I. music.
Commercial success
BIG MONEY debuted at No. 1 on Billboard's Classical Albums chart.
The album entered the Billboard 200 at No. 64, marking his highest entry on that chart.
Cultural impact
Jon Batiste embarked on “The Big Money Tour: Jon Batiste Plays America,” stopping at more than 30 venues across the US
Batiste also performed “Lean On My Love” for A COLORS SHOW.
The singer coined the term 'New Americana' around the album, describing an effort to expand the genre's boundaries in the current landscape.
Critical response
DownBeat stated, "With Big Money, Jon Batiste hits the ears with a perfect little package of pure joy, fantastic wordplay, amazing musicianship and subtle soul all bundled in a stripped-down set of nine tunes that groove, bop and flow with perfection." Read full review
AP News reported that Jon Batiste "opts for a surprisingly intimate sound" on BIG MONEY, with "stripped-down, mostly acoustic arrangements creat[ing] a chill vibe." Read full review
Riff Magazine praised the album as "a compact, authoritative statement on American roots music," noting how Batiste "integrates diverse American musical traditions to create an intimate yet communal work." Read full review

Jan 24, 2025
Listen on Spotify
Larkin Poe's eighth studio album, Bloom, released on their own label, Tricki-Woo Records, follows their 2024 GRAMMY-winning album Blood Harmony.
Commercial success
Bloom debuted at No. 1 on Billboard’s Top Blues Albums chart.
The album reached No. 11 on Billboard’s Top Album Sales chart and No. 16 on the Americana/Folk Albums chart.
Cultural impact
The sisters have been busy all 2025 supporting the new album with an international tour spanning from their home location of Nashville to Belgium.
Critical response
Rolling Stone France noted, "Avec Bloom, Larkin Poe élargit son spectre musical en incluant à ses compositions des influences multiples, pour un résultat réussi." Read full review
Billboard highlighted the project’s "fiery musicianship and authentic songwriting," framing Bloom as a statement that reinforces Larkin Poe’s status at the forefront of modern Americana. Read full review

Jan 24, 2025
Listen on Spotify
Larkin Poe's eighth studio album, Bloom, released on their own label, Tricki-Woo Records, follows their 2024 GRAMMY-winning album Blood Harmony.
Commercial success
Bloom debuted at No. 1 on Billboard’s Top Blues Albums chart.
The album reached No. 11 on Billboard’s Top Album Sales chart and No. 16 on the Americana/Folk Albums chart.
Cultural impact
The sisters have been busy all 2025 supporting the new album with an international tour spanning from their home location of Nashville to Belgium.
Critical response
Rolling Stone France noted, "Avec Bloom, Larkin Poe élargit son spectre musical en incluant à ses compositions des influences multiples, pour un résultat réussi." Read full review
Billboard highlighted the project’s "fiery musicianship and authentic songwriting," framing Bloom as a statement that reinforces Larkin Poe’s status at the forefront of modern Americana. Read full review

Jan 24, 2025
Listen on Spotify
Larkin Poe's eighth studio album, Bloom, released on their own label, Tricki-Woo Records, follows their 2024 GRAMMY-winning album Blood Harmony.
Commercial success
Bloom debuted at No. 1 on Billboard’s Top Blues Albums chart.
The album reached No. 11 on Billboard’s Top Album Sales chart and No. 16 on the Americana/Folk Albums chart.
Cultural impact
The sisters have been busy all 2025 supporting the new album with an international tour spanning from their home location of Nashville to Belgium.
Critical response
Rolling Stone France noted, "Avec Bloom, Larkin Poe élargit son spectre musical en incluant à ses compositions des influences multiples, pour un résultat réussi." Read full review
Billboard highlighted the project’s "fiery musicianship and authentic songwriting," framing Bloom as a statement that reinforces Larkin Poe’s status at the forefront of modern Americana. Read full review

Last Leaf On The Tree
Willie Nelson's 76th solo studio album, Last Leaf On The Tree, was produced in collaboration with his son, Micah Nelson, and features covers of songs by artists including Tom Waits, Neil Young, and Beck.
Commercial success
The album debuted at No. 2 on the Official Country Artists chart.
It also reached No. 5 on the Official Americana chart.
The album debuted at No. 36 on the Billboard 200 with 15K equivalent units.
Cultural impact
Willie Nelson performed "Last Leaf" live at Farm Aid 2024 in Saratoga Springs, New York, bringing the album's themes to a major national stage.
The album has been noted for its reflection on mortality and legacy, resonating deeply with audiences and critics as a testament to Nelson's enduring influence in American music culture.
Last Leaf On The Tree continues Nelson's tradition of advocacy, with performances and interviews highlighting his ongoing support for family farmers and environmental causes.
Critical response
Uncut observed that "Aged 91, Nelson brings gravitas to any lyric, the more world-weary or wistful the better, and these covers fit him like a glove." Read full review
"With Last Leaf on the Tree, Willie Nelson and Micah have crafted a relaxed album of subtle virtuosity, as if every song could be the last," noted AllMusic. Read full review
The Telegraph (UK)'s review highlighted the album as "bathed in qualities of ancient grace," reflecting Nelson's advancing years while sounding "astonishingly contemporary." Read full review

Last Leaf On The Tree
Willie Nelson's 76th solo studio album, Last Leaf On The Tree, was produced in collaboration with his son, Micah Nelson, and features covers of songs by artists including Tom Waits, Neil Young, and Beck.
Commercial success
The album debuted at No. 2 on the Official Country Artists chart.
It also reached No. 5 on the Official Americana chart.
The album debuted at No. 36 on the Billboard 200 with 15K equivalent units.
Cultural impact
Willie Nelson performed "Last Leaf" live at Farm Aid 2024 in Saratoga Springs, New York, bringing the album's themes to a major national stage.
The album has been noted for its reflection on mortality and legacy, resonating deeply with audiences and critics as a testament to Nelson's enduring influence in American music culture.
Last Leaf On The Tree continues Nelson's tradition of advocacy, with performances and interviews highlighting his ongoing support for family farmers and environmental causes.
Critical response
Uncut observed that "Aged 91, Nelson brings gravitas to any lyric, the more world-weary or wistful the better, and these covers fit him like a glove." Read full review
"With Last Leaf on the Tree, Willie Nelson and Micah have crafted a relaxed album of subtle virtuosity, as if every song could be the last," noted AllMusic. Read full review
The Telegraph (UK)'s review highlighted the album as "bathed in qualities of ancient grace," reflecting Nelson's advancing years while sounding "astonishingly contemporary." Read full review

Last Leaf On The Tree
Willie Nelson's 76th solo studio album, Last Leaf On The Tree, was produced in collaboration with his son, Micah Nelson, and features covers of songs by artists including Tom Waits, Neil Young, and Beck.
Commercial success
The album debuted at No. 2 on the Official Country Artists chart.
It also reached No. 5 on the Official Americana chart.
The album debuted at No. 36 on the Billboard 200 with 15K equivalent units.
Cultural impact
Willie Nelson performed "Last Leaf" live at Farm Aid 2024 in Saratoga Springs, New York, bringing the album's themes to a major national stage.
The album has been noted for its reflection on mortality and legacy, resonating deeply with audiences and critics as a testament to Nelson's enduring influence in American music culture.
Last Leaf On The Tree continues Nelson's tradition of advocacy, with performances and interviews highlighting his ongoing support for family farmers and environmental causes.
Critical response
Uncut observed that "Aged 91, Nelson brings gravitas to any lyric, the more world-weary or wistful the better, and these covers fit him like a glove." Read full review
"With Last Leaf on the Tree, Willie Nelson and Micah have crafted a relaxed album of subtle virtuosity, as if every song could be the last," noted AllMusic. Read full review
The Telegraph (UK)'s review highlighted the album as "bathed in qualities of ancient grace," reflecting Nelson's advancing years while sounding "astonishingly contemporary." Read full review

Feb 21, 2025
Listen on Spotify
Middle
Jesse Welles's third studio album, Middle, follows his viral social media rise and marks a departure from his signature topical protest songs to explore more abstract themes.
Commercial success
The single 'Horses' debuted at No. 40 on the Billboard Adult Alternative Airplay chart.
Cultural impact
Earned a 2025 Americana Award nomination for Emerging Act of the Year.
Named the recipient of the Newport Folk Festival’s 2025 John Prine Songwriter Fellowship.
Sold out a 25-date headlining tour across the U.S. to support the album's release.
Critical response
Saving Country Music called the album "a folk rock and country project that delves into the war we all wage inside our heads." Read full review
Glide Magazine noted the album's shift to more abstract themes, highlighting how his worldview is "baked into several of these songs" rather than being overt. Read full review
The music "demands a keen ear and attentive headspace," according to American Songwriter, which compared his lyrical knack to that of Bob Dylan and John Prine. Read full review

Feb 21, 2025
Listen on Spotify
Middle
Jesse Welles's third studio album, Middle, follows his viral social media rise and marks a departure from his signature topical protest songs to explore more abstract themes.
Commercial success
The single 'Horses' debuted at No. 40 on the Billboard Adult Alternative Airplay chart.
Cultural impact
Earned a 2025 Americana Award nomination for Emerging Act of the Year.
Named the recipient of the Newport Folk Festival’s 2025 John Prine Songwriter Fellowship.
Sold out a 25-date headlining tour across the U.S. to support the album's release.
Critical response
Saving Country Music called the album "a folk rock and country project that delves into the war we all wage inside our heads." Read full review
Glide Magazine noted the album's shift to more abstract themes, highlighting how his worldview is "baked into several of these songs" rather than being overt. Read full review
The music "demands a keen ear and attentive headspace," according to American Songwriter, which compared his lyrical knack to that of Bob Dylan and John Prine. Read full review

Feb 21, 2025
Listen on Spotify
Middle
Jesse Welles's third studio album, Middle, follows his viral social media rise and marks a departure from his signature topical protest songs to explore more abstract themes.
Commercial success
The single 'Horses' debuted at No. 40 on the Billboard Adult Alternative Airplay chart.
Cultural impact
Earned a 2025 Americana Award nomination for Emerging Act of the Year.
Named the recipient of the Newport Folk Festival’s 2025 John Prine Songwriter Fellowship.
Sold out a 25-date headlining tour across the U.S. to support the album's release.
Critical response
Saving Country Music called the album "a folk rock and country project that delves into the war we all wage inside our heads." Read full review
Glide Magazine noted the album's shift to more abstract themes, highlighting how his worldview is "baked into several of these songs" rather than being overt. Read full review
The music "demands a keen ear and attentive headspace," according to American Songwriter, which compared his lyrical knack to that of Bob Dylan and John Prine. Read full review
So Long Little Miss Sunshine
Molly Tuttle’s So Long Little Miss Sunshine is a solo Americana-leaning pop and roots record that marks a bold stylistic shift from her GRAMMY-winning bluegrass work with Golden Highway, foregrounding her songwriting and guitar playing in a more expansive sonic palette.
Commercial success
Debuted at No. 1 on Billboard’s Bluegrass Albums chart, extending Tuttle’s run as a leading figure in contemporary roots music.
Reached the Billboard 200, introducing her pop-inflected Americana sound to a broader mainstream album audience.
Supported by singles such as “That’s Gonna Leave a Mark” helped secure early momentum for the project.
Cultural impact
Marks a deliberate move away from Tuttle’s celebrated bluegrass band Golden Highway toward a solo configuration, signaling a new chapter that has been widely discussed in Americana and roots circles.
Features a high-profile collaboration with producer Jay Joyce in Nashville, aligning her with a cohort of genre-crossing country and rock artists.
Incorporates a reinterpretation of Icona Pop and Charli XCX’s “I Love It,” bridging contemporary pop and Americana and underscoring her interest in reframing mainstream material through an acoustic, songwriter-focused lens.
Critical response
Billboard highlighted So Long Little Miss Sunshine as “the result of…risk-taking,” noting that the album “marks a radical stylistic evolution” built on “a bedrock of folk-pop, country and rock, while still folding in dashes of bluegrass.” Read full review
Spectrum Culture observed that while parts of the record “sound professional and well-executed,” at its best—on songs like “Everything Burns” and “Rosalee”—Tuttle delivers “an exceptional song from a woman who’s made a career out of regular exceptionality,” even as she tests how far she can push into pop while retaining her individuality. Read full review
The Week, summarizing AllMusic’s assessment, noted that the album “may not make her into the next Taylor Swift,” but called it “that rarity—an acoustic musician’s big pop move that fully succeeds without throwing away the virtues of her previous work,” praising its “keen melodic hooks” and radio-ready sheen. Read full review
So Long Little Miss Sunshine
Molly Tuttle’s So Long Little Miss Sunshine is a solo Americana-leaning pop and roots record that marks a bold stylistic shift from her GRAMMY-winning bluegrass work with Golden Highway, foregrounding her songwriting and guitar playing in a more expansive sonic palette.
Commercial success
Debuted at No. 1 on Billboard’s Bluegrass Albums chart, extending Tuttle’s run as a leading figure in contemporary roots music.
Reached the Billboard 200, introducing her pop-inflected Americana sound to a broader mainstream album audience.
Supported by singles such as “That’s Gonna Leave a Mark” helped secure early momentum for the project.
Cultural impact
Marks a deliberate move away from Tuttle’s celebrated bluegrass band Golden Highway toward a solo configuration, signaling a new chapter that has been widely discussed in Americana and roots circles.
Features a high-profile collaboration with producer Jay Joyce in Nashville, aligning her with a cohort of genre-crossing country and rock artists.
Incorporates a reinterpretation of Icona Pop and Charli XCX’s “I Love It,” bridging contemporary pop and Americana and underscoring her interest in reframing mainstream material through an acoustic, songwriter-focused lens.
Critical response
Billboard highlighted So Long Little Miss Sunshine as “the result of…risk-taking,” noting that the album “marks a radical stylistic evolution” built on “a bedrock of folk-pop, country and rock, while still folding in dashes of bluegrass.” Read full review
Spectrum Culture observed that while parts of the record “sound professional and well-executed,” at its best—on songs like “Everything Burns” and “Rosalee”—Tuttle delivers “an exceptional song from a woman who’s made a career out of regular exceptionality,” even as she tests how far she can push into pop while retaining her individuality. Read full review
The Week, summarizing AllMusic’s assessment, noted that the album “may not make her into the next Taylor Swift,” but called it “that rarity—an acoustic musician’s big pop move that fully succeeds without throwing away the virtues of her previous work,” praising its “keen melodic hooks” and radio-ready sheen. Read full review
So Long Little Miss Sunshine
Molly Tuttle’s So Long Little Miss Sunshine is a solo Americana-leaning pop and roots record that marks a bold stylistic shift from her GRAMMY-winning bluegrass work with Golden Highway, foregrounding her songwriting and guitar playing in a more expansive sonic palette.
Commercial success
Debuted at No. 1 on Billboard’s Bluegrass Albums chart, extending Tuttle’s run as a leading figure in contemporary roots music.
Reached the Billboard 200, introducing her pop-inflected Americana sound to a broader mainstream album audience.
Supported by singles such as “That’s Gonna Leave a Mark” helped secure early momentum for the project.
Cultural impact
Marks a deliberate move away from Tuttle’s celebrated bluegrass band Golden Highway toward a solo configuration, signaling a new chapter that has been widely discussed in Americana and roots circles.
Features a high-profile collaboration with producer Jay Joyce in Nashville, aligning her with a cohort of genre-crossing country and rock artists.
Incorporates a reinterpretation of Icona Pop and Charli XCX’s “I Love It,” bridging contemporary pop and Americana and underscoring her interest in reframing mainstream material through an acoustic, songwriter-focused lens.
Critical response
Billboard highlighted So Long Little Miss Sunshine as “the result of…risk-taking,” noting that the album “marks a radical stylistic evolution” built on “a bedrock of folk-pop, country and rock, while still folding in dashes of bluegrass.” Read full review
Spectrum Culture observed that while parts of the record “sound professional and well-executed,” at its best—on songs like “Everything Burns” and “Rosalee”—Tuttle delivers “an exceptional song from a woman who’s made a career out of regular exceptionality,” even as she tests how far she can push into pop while retaining her individuality. Read full review
The Week, summarizing AllMusic’s assessment, noted that the album “may not make her into the next Taylor Swift,” but called it “that rarity—an acoustic musician’s big pop move that fully succeeds without throwing away the virtues of her previous work,” praising its “keen melodic hooks” and radio-ready sheen. Read full review
Other awards in this field
Country + American Roots Music
Other awards in this field
Country + American Roots Music
Other awards in this field
Country + American Roots Music

Best Country Solo Performance

Best Country Solo Performance

Best Country Duo/Group Performance

Best Country Duo/Group Performance

Best Country Song

Best Country Song

Best Contemporary Country Album

Best Contemporary Country Album

Best Americana Album

Best Americana Album

Best Folk Album

Best Folk Album

Best Traditional Country Album

Best Traditional Country Album

Best American Roots Performance

Best American Roots Performance

Best Americana Performance

Best Americana Performance

Best American Roots Song

Best American Roots Song
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