


Australian Radio Royalty Rates Set to Jump by 38%
The new rate is back dated to July 2023
Australia’s Copyright Tribunal has determined that the royalty rates paid by the country’s commercial radio broadcasters will rise by 38%.
Why it matters:
Royalties paid by broadcasters will rise from 0.4% of the broadcast radio industry’s gross revenue to 0.55%.
The new rate is applied retroactively to July 2023.
As per Music Business Worldwide, the 0.4% cap in 2023 yielded around AUD $4 million (USD $2.7 million) in revenue for recorded music rights holders.
That figure would have been AUD $5.5 million (USD $3.7 million) at the new rate.
The reason:
One key reason for the tribunal’s decision is that in an era of streaming, radio is no longer a key driver of sales.
In the past record companies accepted a discount royalty rate because of radio’s promotional value, but it no longer has the same impact.
Sticking point:
Recorded music industry group the Phonographic Performance Company of Australia (PPCA) responded by saying the ruling reinforces its concerns about the 1% cap on radio royalty rates under Australian law.
It says the cap “necessarily limited how far the rate could move,” and it will continue to push for its removal.
What they said:
Annabelle Herd, PPCA Chief Executive Officer: “The Tribunal’s reasoning makes it clear, in no uncertain terms, that the 1% cap was a decisive factor throughout the decision and has constricted Australian artists’ ability to receive sound recording broadcast royalties comparable to other markets.”
Australia’s Copyright Tribunal has determined that the royalty rates paid by the country’s commercial radio broadcasters will rise by 38%.
Why it matters:
Royalties paid by broadcasters will rise from 0.4% of the broadcast radio industry’s gross revenue to 0.55%.
The new rate is applied retroactively to July 2023.
As per Music Business Worldwide, the 0.4% cap in 2023 yielded around AUD $4 million (USD $2.7 million) in revenue for recorded music rights holders.
That figure would have been AUD $5.5 million (USD $3.7 million) at the new rate.
The reason:
One key reason for the tribunal’s decision is that in an era of streaming, radio is no longer a key driver of sales.
In the past record companies accepted a discount royalty rate because of radio’s promotional value, but it no longer has the same impact.
Sticking point:
Recorded music industry group the Phonographic Performance Company of Australia (PPCA) responded by saying the ruling reinforces its concerns about the 1% cap on radio royalty rates under Australian law.
It says the cap “necessarily limited how far the rate could move,” and it will continue to push for its removal.
What they said:
Annabelle Herd, PPCA Chief Executive Officer: “The Tribunal’s reasoning makes it clear, in no uncertain terms, that the 1% cap was a decisive factor throughout the decision and has constricted Australian artists’ ability to receive sound recording broadcast royalties comparable to other markets.”
Australia’s Copyright Tribunal has determined that the royalty rates paid by the country’s commercial radio broadcasters will rise by 38%.
Why it matters:
Royalties paid by broadcasters will rise from 0.4% of the broadcast radio industry’s gross revenue to 0.55%.
The new rate is applied retroactively to July 2023.
As per Music Business Worldwide, the 0.4% cap in 2023 yielded around AUD $4 million (USD $2.7 million) in revenue for recorded music rights holders.
That figure would have been AUD $5.5 million (USD $3.7 million) at the new rate.
The reason:
One key reason for the tribunal’s decision is that in an era of streaming, radio is no longer a key driver of sales.
In the past record companies accepted a discount royalty rate because of radio’s promotional value, but it no longer has the same impact.
Sticking point:
Recorded music industry group the Phonographic Performance Company of Australia (PPCA) responded by saying the ruling reinforces its concerns about the 1% cap on radio royalty rates under Australian law.
It says the cap “necessarily limited how far the rate could move,” and it will continue to push for its removal.
What they said:
Annabelle Herd, PPCA Chief Executive Officer: “The Tribunal’s reasoning makes it clear, in no uncertain terms, that the 1% cap was a decisive factor throughout the decision and has constricted Australian artists’ ability to receive sound recording broadcast royalties comparable to other markets.”
Copyright Tribunal of Australia
Phonographic Performance Company of Australia
Annabelle Herd
Government Intervention In Royalties
Closing Radio Royalty Loopholes
Artist Rights And Royalty Disputes
Shift From Radio To Streaming
Resolution Of PRO Rate Disputes
Statutory Authority of Collection Societies
Radio Royalty Rates
Collection Society
Public Performance Royalties
Royalty Payouts
Policy & Legal
Australia
👋 Disclosures & Transparency Block
This story was written with information from Music Business Worldwide.
We covered it because it’s news regarding radio royalty rates in Australia.
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