YUNGBLUD's fourth studio album, Idols, is described by the artist as a "love letter to self-reclamation" and rock music, marking a shift toward themes of self-love and inner strength. The album is the first part of a double album, showcasing his evolving artistry and ambition.

Cultural impact

• The album's release has been widely discussed in media as a bold creative leap, with coverage focusing on its ambitious double-album concept and its role in redefining YUNGBLUD's artistic identity.

• YUNGBLUD additionally launched his own festival, Bludfest, in 2024 at the National Bowl in Milton Keynes in an effort to provide more accessible ways for fans to enjoy music, including his new album.

Critical response

• Rolling Stone highlighted Idols as a bold reinvention, noting that with his fourth album YUNGBLUD "harnesses those hopes and takes a very big swing," with sprawling tracks like "Hello Heaven, Hello" and orchestral touches from the London Philharmonic underscoring his "revitalized ambition." Read full review

• The Guardian praised the album's "emotional candor and sonic ambition," describing it as "a testament to YUNGBLUD's willingness to push boundaries while staying true to his roots." Read full review