The GRAMMYs

2026

Dec 1st, 2025

Best Rock Album

Best Rock Album

Nomination

I quit (HAIM) is nominated for The GRAMMYs 2026 Best Rock Album

I quit (HAIM) is nominated for The GRAMMYs 2026 Best Rock Album

I quit (HAIM) is nominated for The GRAMMYs 2026 Best Rock Album

HAIM's fourth studio album, I quit, marks their first project without Ariel Rechtshaid, who was a primary co-producer and co-writer on their previous three records.

Commercial success

  • The album debuted at No. 25 on the Billboard 200 chart with 20K equivalent units.

  • I quit entered at No. 1 on the UK Albums Chart.

  • The album has surpassed 85 million streams on Spotify, reflecting strong global streaming performance.

Cultural impact

  • HAIM launched the "I Quit Tour" in fall 2025, headlining major venues including Madison Square Garden in New York and The O2 in London, with support from Dora Jar on select dates.

  • The band delivered a high-profile performance at Jazz Fest in New Orleans and played two surprise, sold-out shows at The Bellwether in Los Angeles.

  • The album's themes of liberation and reinvention have been widely discussed in press coverage, with The Atlantic highlighting how I quit "remixes the breakup-music canon for a generation that’s wary of tying the knot."

Critical response

  • Rolling Stone UK praised I quit as HAIM's "most self-assured and cohesive project yet." Read full review

  • The New York Times stated that the album "pushes the sound of Haim’s 2020 album 'Women in Music Pt. III' in a rootsier direction, with a foundation of raw, slightly lo-fi drums and guitars." Read full review

  • The Guardian noted the album "is sonically scattershot, but gratifyingly consistent in one regard," constructing "a candid, complex portrait of a woman working hard to psychologically liberate herself from a relationship." Read full review

HAIM's fourth studio album, I quit, marks their first project without Ariel Rechtshaid, who was a primary co-producer and co-writer on their previous three records.

Commercial success

  • The album debuted at No. 25 on the Billboard 200 chart with 20K equivalent units.

  • I quit entered at No. 1 on the UK Albums Chart.

  • The album has surpassed 85 million streams on Spotify, reflecting strong global streaming performance.

Cultural impact

  • HAIM launched the "I Quit Tour" in fall 2025, headlining major venues including Madison Square Garden in New York and The O2 in London, with support from Dora Jar on select dates.

  • The band delivered a high-profile performance at Jazz Fest in New Orleans and played two surprise, sold-out shows at The Bellwether in Los Angeles.

  • The album's themes of liberation and reinvention have been widely discussed in press coverage, with The Atlantic highlighting how I quit "remixes the breakup-music canon for a generation that’s wary of tying the knot."

Critical response

  • Rolling Stone UK praised I quit as HAIM's "most self-assured and cohesive project yet." Read full review

  • The New York Times stated that the album "pushes the sound of Haim’s 2020 album 'Women in Music Pt. III' in a rootsier direction, with a foundation of raw, slightly lo-fi drums and guitars." Read full review

  • The Guardian noted the album "is sonically scattershot, but gratifyingly consistent in one regard," constructing "a candid, complex portrait of a woman working hard to psychologically liberate herself from a relationship." Read full review

HAIM's fourth studio album, I quit, marks their first project without Ariel Rechtshaid, who was a primary co-producer and co-writer on their previous three records.

Commercial success

  • The album debuted at No. 25 on the Billboard 200 chart with 20K equivalent units.

  • I quit entered at No. 1 on the UK Albums Chart.

  • The album has surpassed 85 million streams on Spotify, reflecting strong global streaming performance.

Cultural impact

  • HAIM launched the "I Quit Tour" in fall 2025, headlining major venues including Madison Square Garden in New York and The O2 in London, with support from Dora Jar on select dates.

  • The band delivered a high-profile performance at Jazz Fest in New Orleans and played two surprise, sold-out shows at The Bellwether in Los Angeles.

  • The album's themes of liberation and reinvention have been widely discussed in press coverage, with The Atlantic highlighting how I quit "remixes the breakup-music canon for a generation that’s wary of tying the knot."

Critical response

  • Rolling Stone UK praised I quit as HAIM's "most self-assured and cohesive project yet." Read full review

  • The New York Times stated that the album "pushes the sound of Haim’s 2020 album 'Women in Music Pt. III' in a rootsier direction, with a foundation of raw, slightly lo-fi drums and guitars." Read full review

  • The Guardian noted the album "is sonically scattershot, but gratifyingly consistent in one regard," constructing "a candid, complex portrait of a woman working hard to psychologically liberate herself from a relationship." Read full review