Report: Music Tourism Market to Reach $400.5 Billion by 2032

The projection comes from Credence Research, which predicts a yearly growth rate of 18.6%

Credence Research, a prominent market research provider, has released a report projecting that the global music tourism market will be valued at $400.5 billion by 2032. This rate is based on a predicted compound annual growth rate (CAGR) of 18.6% from the market’s 2024 valuation of $102 billion.

The growing market:

  • Global music festivals, such as Coachella, Glastonbury, and Tomorrowland, continue to grow and attract more tourists.

  • This fuels travel, hospitality, and entertainment services.

  • Millennials and Gen-Z are opting to use disposable income for travel and experiences rather than material goods.

  • Tourism boards in various countries are promoting music events and using them as opportunities to establish partnerships with airlines, hotels, and local businesses.

  • Digital platforms such as streaming services are marketing events to global audiences within their UX.

  • Regions like Asia-Pacific, Latin America, and Middle East & Africa are hosting more events that rival the scale of those in North America and Europe. Travel to these regions is becoming more accesible as well.

  • Hybrid/virtual experiences are opening new sources of revenue for music events.

Growth barriers:

  • The cost associated with music tourism is considerable, taking into account event tickets, flights, and accommodations.

  • Large gatherings like festivals can be associated with dangerous situations related to crowd management. One example is the crowd crush at Travis Scott’s festival, Astroworld.

Credence Research, a prominent market research provider, has released a report projecting that the global music tourism market will be valued at $400.5 billion by 2032. This rate is based on a predicted compound annual growth rate (CAGR) of 18.6% from the market’s 2024 valuation of $102 billion.

The growing market:

  • Global music festivals, such as Coachella, Glastonbury, and Tomorrowland, continue to grow and attract more tourists.

  • This fuels travel, hospitality, and entertainment services.

  • Millennials and Gen-Z are opting to use disposable income for travel and experiences rather than material goods.

  • Tourism boards in various countries are promoting music events and using them as opportunities to establish partnerships with airlines, hotels, and local businesses.

  • Digital platforms such as streaming services are marketing events to global audiences within their UX.

  • Regions like Asia-Pacific, Latin America, and Middle East & Africa are hosting more events that rival the scale of those in North America and Europe. Travel to these regions is becoming more accesible as well.

  • Hybrid/virtual experiences are opening new sources of revenue for music events.

Growth barriers:

  • The cost associated with music tourism is considerable, taking into account event tickets, flights, and accommodations.

  • Large gatherings like festivals can be associated with dangerous situations related to crowd management. One example is the crowd crush at Travis Scott’s festival, Astroworld.

Credence Research, a prominent market research provider, has released a report projecting that the global music tourism market will be valued at $400.5 billion by 2032. This rate is based on a predicted compound annual growth rate (CAGR) of 18.6% from the market’s 2024 valuation of $102 billion.

The growing market:

  • Global music festivals, such as Coachella, Glastonbury, and Tomorrowland, continue to grow and attract more tourists.

  • This fuels travel, hospitality, and entertainment services.

  • Millennials and Gen-Z are opting to use disposable income for travel and experiences rather than material goods.

  • Tourism boards in various countries are promoting music events and using them as opportunities to establish partnerships with airlines, hotels, and local businesses.

  • Digital platforms such as streaming services are marketing events to global audiences within their UX.

  • Regions like Asia-Pacific, Latin America, and Middle East & Africa are hosting more events that rival the scale of those in North America and Europe. Travel to these regions is becoming more accesible as well.

  • Hybrid/virtual experiences are opening new sources of revenue for music events.

Growth barriers:

  • The cost associated with music tourism is considerable, taking into account event tickets, flights, and accommodations.

  • Large gatherings like festivals can be associated with dangerous situations related to crowd management. One example is the crowd crush at Travis Scott’s festival, Astroworld.

👋 Disclosures & Transparency Block
  • This article was written from a press release provided by Credence Research.

  • We covered it because the report explores the live music industry.

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