


Peter Garrett
Peter Garrett Backs Australian Industry Body’s Push Against AI Exemptions
At stake is AI companies’ ability to train on copyrighted works without permission
APRA AMCOS, Australia’s leading music rights management organization, has publicly denounced the proposed text and data mining exemption to Australia’s Copyright Act.
The background:
The Australian government's Productivity Commission has published a 116-page interim report identifying priority reforms and actionable recommendations around data and digital technology in the country.
The report reveals a preference for weakening copyright protections to benefit AI platforms.
APRA AMCOS claims this could “devastate Australia’s $9 billion music industry” and warns it would “legitimize digital piracy under guise of productivity.”
APRA Chair Jenny Morris said: “They’re laying the groundwork to legitimize what they themselves acknowledge is already widespread theft.”
She adds: “We’ve witnessed the wholesale ingestion of Australian works by AI companies in the US, where over 30 court cases are currently underway challenging this practice.”
The National Aboriginal and Torres Strait Islander Music Office (NATSIMO) has also flagged its concern over the “digital theft” of Indigenous cultural and intellectual property “that exists in our songs and music.”
The interim report is framed as seeking “feedback” on the options it proposes.
Artist feedback:
APRA AMCOS’s stance has been echoed by Australian artists such as Missy Higgins, Julian Hamilton (The Presets) and Midnight Oil frontman Peter Garrett.
What they said:
Peter Garrett, speaking with The Australian newspaper: “The rampant opportunism of big tech aiming to pillage other people’s work for their own profit is galling and shameful. They can try to call it ‘innovation’ but another word for it is ‘theft.’ The federal government needs to urgently strengthen copyright laws to help preserve cultural sovereignty and our valuable intellectual property in the face of powerful corporate forces who want to strip mine it and pay nothing.”
APRA AMCOS, Australia’s leading music rights management organization, has publicly denounced the proposed text and data mining exemption to Australia’s Copyright Act.
The background:
The Australian government's Productivity Commission has published a 116-page interim report identifying priority reforms and actionable recommendations around data and digital technology in the country.
The report reveals a preference for weakening copyright protections to benefit AI platforms.
APRA AMCOS claims this could “devastate Australia’s $9 billion music industry” and warns it would “legitimize digital piracy under guise of productivity.”
APRA Chair Jenny Morris said: “They’re laying the groundwork to legitimize what they themselves acknowledge is already widespread theft.”
She adds: “We’ve witnessed the wholesale ingestion of Australian works by AI companies in the US, where over 30 court cases are currently underway challenging this practice.”
The National Aboriginal and Torres Strait Islander Music Office (NATSIMO) has also flagged its concern over the “digital theft” of Indigenous cultural and intellectual property “that exists in our songs and music.”
The interim report is framed as seeking “feedback” on the options it proposes.
Artist feedback:
APRA AMCOS’s stance has been echoed by Australian artists such as Missy Higgins, Julian Hamilton (The Presets) and Midnight Oil frontman Peter Garrett.
What they said:
Peter Garrett, speaking with The Australian newspaper: “The rampant opportunism of big tech aiming to pillage other people’s work for their own profit is galling and shameful. They can try to call it ‘innovation’ but another word for it is ‘theft.’ The federal government needs to urgently strengthen copyright laws to help preserve cultural sovereignty and our valuable intellectual property in the face of powerful corporate forces who want to strip mine it and pay nothing.”
APRA AMCOS, Australia’s leading music rights management organization, has publicly denounced the proposed text and data mining exemption to Australia’s Copyright Act.
The background:
The Australian government's Productivity Commission has published a 116-page interim report identifying priority reforms and actionable recommendations around data and digital technology in the country.
The report reveals a preference for weakening copyright protections to benefit AI platforms.
APRA AMCOS claims this could “devastate Australia’s $9 billion music industry” and warns it would “legitimize digital piracy under guise of productivity.”
APRA Chair Jenny Morris said: “They’re laying the groundwork to legitimize what they themselves acknowledge is already widespread theft.”
She adds: “We’ve witnessed the wholesale ingestion of Australian works by AI companies in the US, where over 30 court cases are currently underway challenging this practice.”
The National Aboriginal and Torres Strait Islander Music Office (NATSIMO) has also flagged its concern over the “digital theft” of Indigenous cultural and intellectual property “that exists in our songs and music.”
The interim report is framed as seeking “feedback” on the options it proposes.
Artist feedback:
APRA AMCOS’s stance has been echoed by Australian artists such as Missy Higgins, Julian Hamilton (The Presets) and Midnight Oil frontman Peter Garrett.
What they said:
Peter Garrett, speaking with The Australian newspaper: “The rampant opportunism of big tech aiming to pillage other people’s work for their own profit is galling and shameful. They can try to call it ‘innovation’ but another word for it is ‘theft.’ The federal government needs to urgently strengthen copyright laws to help preserve cultural sovereignty and our valuable intellectual property in the face of powerful corporate forces who want to strip mine it and pay nothing.”
APRA AMCOS
Jenny Morris
Missy Higgins
Julian Hamilton
The Presets
Midnight Oil
Peter Garrett
NATSIMO
Productivity Commission
AI Copyright Battles
AI and Copyright
AI Music Regulation
Protecting Artists From AI
AI Training Controversies
Legal Battles Over AI Content
Industry Litigation
AI's Impact On Human Creators
AI And Copyright Law
Government Policy Favoring AI
Copyright Policy
Litigation
Songwriter Advocacy
AI Regulation
Copyright Infringement
Legal Disputes
Text and Data Mining
Australia
United States
👋 Disclosures & Transparency Block
- This story was written with information sourced from APRA AMCOS and The Australian.
- We covered it because of the scrutiny around AI and its impact on the music industry.
📨 Subscribe to NIF
Get news dropped in your inbox 👇
📨 Subscribe to NIF
Get news dropped in your inbox 👇
Related Articles

Policy & Legal
Feb 6, 2026
1 min read
LabelWorx Launches Publishing Division
Artists and labels can opt in on a per-track basis

Policy & Legal
Feb 6, 2026
1 min read
New California Bill Aims to Cap Ticket Resale Prices
Tickets could be resold for no more than 10% above face value

Policy & Legal
Feb 5, 2026
1 min read
Martin Shkreli in Legal Battle Over Wu-Tang Clan LP Copyrights
The pharma exec is claiming ownership of the ‘Once Upon a Time in Shaolin’ rights

LabelWorx Launches Publishing Division
Artists and labels can opt in on a per-track basis

Rod Yates
Policy
Feb 6, 2026

New California Bill Aims to Cap Ticket Resale Prices
Tickets could be resold for no more than 10% above face value

Rod Yates
Policy
Feb 6, 2026

Martin Shkreli in Legal Battle Over Wu-Tang Clan LP Copyrights
The pharma exec is claiming ownership of the ‘Once Upon a Time in Shaolin’ rights

Rod Yates
Policy
Feb 5, 2026

Live Nation to Acquire Italy’s ForumNet Group
The concert giant plans significant upgrades to the Unipol Forum venue

Rod Yates
Policy
Feb 4, 2026

Ticketmaster to be Fined Over BTS Ticket Sales in Mexico
Consumers complained about issues with the presale and general sale

Rod Yates
Policy
Feb 4, 2026

NIVA Slams Live Nation Expansion, Proposed Demolition of Indie Venue
Milwaukee’s Miller High Life Theatre is at risk

Rod Yates
Policy
Feb 3, 2026





