The GRAMMYs
2026
Dec 1st, 2025
Best Alternative Music Album
Best Alternative Music Album
Nomination
Ego Death At A Bachelorette Party (Hayley Williams) is nominated for The GRAMMYs 2026 Best Alternative Music Album
Ego Death At A Bachelorette Party (Hayley Williams) is nominated for The GRAMMYs 2026 Best Alternative Music Album
Ego Death At A Bachelorette Party (Hayley Williams) is nominated for The GRAMMYs 2026 Best Alternative Music Album
Ego Death At A Bachelorette Party
Hayley Williams' Ego Death At A Bachelorette Party marked her first solo release as an independent artist after two decades with Atlantic Records, initially rolling out as a collection of 17 songs on her website without an official tracklist.
Commercial success
The album debuted at No. 173 on the Billboard 200 chart with 9K equivalent units.
It jumped to No. 12 on the Billboard 200 in its second week, earning 27K equivalent units.
Peaked at No. 1 for Independent Albums in both the US and UK.
Cultural impact
On her website, the tracks could only be accessed after entering a code that was sent to fans who purchased a product from Williams's hair dye company.
Williams announced a 2026 solo tour in support of the album, with dates across North America and Europe.
Critical response
Pitchfork noted that Hayley Williams and producer Daniel James frame her multi-octave range in a variety of pop subgenres, including indie pop, pop rock, and dream pop. Read full review
NME observed that Ego Death At A Bachelorette Party sees Williams fearlessly stepping between familiar and fresh influences. Read full review
Rolling Stone praised the album as Hayley Williams' strongest solo work to date, noting she has never sounded braver. Read full review
Ego Death At A Bachelorette Party
Hayley Williams' Ego Death At A Bachelorette Party marked her first solo release as an independent artist after two decades with Atlantic Records, initially rolling out as a collection of 17 songs on her website without an official tracklist.
Commercial success
The album debuted at No. 173 on the Billboard 200 chart with 9K equivalent units.
It jumped to No. 12 on the Billboard 200 in its second week, earning 27K equivalent units.
Peaked at No. 1 for Independent Albums in both the US and UK.
Cultural impact
On her website, the tracks could only be accessed after entering a code that was sent to fans who purchased a product from Williams's hair dye company.
Williams announced a 2026 solo tour in support of the album, with dates across North America and Europe.
Critical response
Pitchfork noted that Hayley Williams and producer Daniel James frame her multi-octave range in a variety of pop subgenres, including indie pop, pop rock, and dream pop. Read full review
NME observed that Ego Death At A Bachelorette Party sees Williams fearlessly stepping between familiar and fresh influences. Read full review
Rolling Stone praised the album as Hayley Williams' strongest solo work to date, noting she has never sounded braver. Read full review
Ego Death At A Bachelorette Party
Hayley Williams' Ego Death At A Bachelorette Party marked her first solo release as an independent artist after two decades with Atlantic Records, initially rolling out as a collection of 17 songs on her website without an official tracklist.
Commercial success
The album debuted at No. 173 on the Billboard 200 chart with 9K equivalent units.
It jumped to No. 12 on the Billboard 200 in its second week, earning 27K equivalent units.
Peaked at No. 1 for Independent Albums in both the US and UK.
Cultural impact
On her website, the tracks could only be accessed after entering a code that was sent to fans who purchased a product from Williams's hair dye company.
Williams announced a 2026 solo tour in support of the album, with dates across North America and Europe.
Critical response
Pitchfork noted that Hayley Williams and producer Daniel James frame her multi-octave range in a variety of pop subgenres, including indie pop, pop rock, and dream pop. Read full review
NME observed that Ego Death At A Bachelorette Party sees Williams fearlessly stepping between familiar and fresh influences. Read full review
Rolling Stone praised the album as Hayley Williams' strongest solo work to date, noting she has never sounded braver. Read full review








