The GRAMMYs
2026
Dec 1st, 2025
Best Alternative Music Album
Best Alternative Music Album
Nomination
DON'T TAP THE GLASS ("Tyler, The Creator") is nominated for The GRAMMYs 2026 Best Alternative Music Album
DON'T TAP THE GLASS ("Tyler, The Creator") is nominated for The GRAMMYs 2026 Best Alternative Music Album
DON'T TAP THE GLASS ("Tyler, The Creator") is nominated for The GRAMMYs 2026 Best Alternative Music Album
DON'T TAP THE GLASS
Tyler, The Creator's DON'T TAP THE GLASS arrived as a surprise release in mid-2025, coinciding with his ongoing Chromakopia: The World Tour.
Commercial success
Debuted at No. 1 on the Billboard 200 albums chart.
Earned 197K equivalent units in its first four days of release.
Marked Tyler, The Creator's fourth consecutive album to open atop the Billboard 200.
Cultural impact
Tyler, The Creator directed the music videos for the album's tracks "STOP PLAYING WITH ME" with cameos from Clipse, Maverick Carter & Lebron James.
Tyler solely produced each of the album's ten tracks.
Songs from DON'T TAP THE GLASS became centerpieces of the Chromakopia: The World Tour setlist, with live arrangements highlighting the album's blend of funk, soul, and dance influences.
Critical response
Variety noted that Tyler, The Creator "threads all the sounds and vibes with an auteur’s aesthetic creativity and Frankensteinian instincts for genre fusion." Read full review
Pitchfork characterized the album as "a record only Tyler could make: retro but not nostalgic; tender but steely; jangly yet slick." Read full review
The Guardian observed that DON'T TAP THE GLASS "ultimately feels more narrow and focused," with almost all of its 10 tracks "fixated on the dancefloor." Read full review
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DON'T TAP THE GLASS
Tyler, The Creator's DON'T TAP THE GLASS arrived as a surprise release in mid-2025, coinciding with his ongoing Chromakopia: The World Tour.
Commercial success
Debuted at No. 1 on the Billboard 200 albums chart.
Earned 197K equivalent units in its first four days of release.
Marked Tyler, The Creator's fourth consecutive album to open atop the Billboard 200.
Cultural impact
Tyler, The Creator directed the music videos for the album's tracks "STOP PLAYING WITH ME" with cameos from Clipse, Maverick Carter & Lebron James.
Tyler solely produced each of the album's ten tracks.
Songs from DON'T TAP THE GLASS became centerpieces of the Chromakopia: The World Tour setlist, with live arrangements highlighting the album's blend of funk, soul, and dance influences.
Critical response
Variety noted that Tyler, The Creator "threads all the sounds and vibes with an auteur’s aesthetic creativity and Frankensteinian instincts for genre fusion." Read full review
Pitchfork characterized the album as "a record only Tyler could make: retro but not nostalgic; tender but steely; jangly yet slick." Read full review
The Guardian observed that DON'T TAP THE GLASS "ultimately feels more narrow and focused," with almost all of its 10 tracks "fixated on the dancefloor." Read full review
}
DON'T TAP THE GLASS
Tyler, The Creator's DON'T TAP THE GLASS arrived as a surprise release in mid-2025, coinciding with his ongoing Chromakopia: The World Tour.
Commercial success
Debuted at No. 1 on the Billboard 200 albums chart.
Earned 197K equivalent units in its first four days of release.
Marked Tyler, The Creator's fourth consecutive album to open atop the Billboard 200.
Cultural impact
Tyler, The Creator directed the music videos for the album's tracks "STOP PLAYING WITH ME" with cameos from Clipse, Maverick Carter & Lebron James.
Tyler solely produced each of the album's ten tracks.
Songs from DON'T TAP THE GLASS became centerpieces of the Chromakopia: The World Tour setlist, with live arrangements highlighting the album's blend of funk, soul, and dance influences.
Critical response
Variety noted that Tyler, The Creator "threads all the sounds and vibes with an auteur’s aesthetic creativity and Frankensteinian instincts for genre fusion." Read full review
Pitchfork characterized the album as "a record only Tyler could make: retro but not nostalgic; tender but steely; jangly yet slick." Read full review
The Guardian observed that DON'T TAP THE GLASS "ultimately feels more narrow and focused," with almost all of its 10 tracks "fixated on the dancefloor." Read full review
}









